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Valley of the Yosemite (or Valley of the Yo-Semite) is a painting by the German American painter Albert Bierstadt that was completed in 1864. Initially associated with the Hudson River School , Bierstadt rose to prominence for his paintings of the Rocky Mountains , which established him as one of the best painters of the western American landscape.
In 1998, the United States Postal Service issued a set of 20 commemorative stamps entitled "Four Centuries of American Art", one of which featured Albert Bierstadt's The Last of the Buffalo. [33] In 2008, the USPS issued a commemorative stamp in its "American Treasures" series featuring Bierstadt's 1864 painting Valley of the Yosemite.
Herbert F. Johnson Museum of Art, Cornell University(attributed to Albert Bierstadt) Yosemite Valley: Oil on canvas 60 cm × 40 cm (23.6 in × 15.7 in) Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY IAP 35010068 (attributed to Albert Bierstadt) Finsterhorn: Oil on canvas 30 cm × 20 cm (11.8 in × 7.9 in)
Looking Down the Yosemite Valley, California is an 1865 painting by the German-American painter Albert Bierstadt (1830–1902). [1] It was Bierstadt's first large-scale Yosemite picture, a subject for which he would become well known. It presents a view of one of America's most scenic spots.
Among the Sierra Nevada was created in Rome in winter 1867–68, four years after Bierstadt's trip to the Sierra Nevada. [4] [5] The painting measures 72 by 120 + 1 ⁄ 8 inches (183 by 305 cm) and has an elaborate frame measuring 96 + 1 ⁄ 4 by 144 + 3 ⁄ 8 by 7 + 1 ⁄ 4 inches (244 by 367 by 18 cm).
Cho-looke, the Yosemite Fall is an 1864 oil painting on canvas by the German American painter Albert Bierstadt. [1]
Pages in category "Paintings by Albert Bierstadt" The following 16 pages are in this category, out of 16 total. ... Looking Down Yosemite Valley, California; M.
Indians in Council, California is an 1872 oil landscape painting by the Hudson River School artist Albert Bierstadt. The painting was made amidst Bierstadt's Yosemite and Sierra Nevada work, while he was residing in California. He felt that Native American life was "rapidly passing away" and it was an artist's duty to "tell ... their history". [1]