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Wikisource has original text related to this article: End Poem (full text) The end credits of the video game Minecraft include a written work by the Irish writer Julian Gough, conventionally called the End Poem, which is the only narrative text in the mostly unstructured sandbox game. Minecraft's creator Markus "Notch" Persson did not have an ending to the game up until a month before launch ...
The ending of the composition has been described: [2] But the riddle is not solved. The tone-poem ends enigmatically in two keys, the Nature-motif plucked softly, by the basses in its original key of C—and above the woodwinds, in the key of B major. The unsolvable end of the universe: for Strauss was not pacified by Nietzsche's solution.
The study of the vedantic philosophy, the Gita, and the Katha Upanishad is impressed upon the poem very forcefully. Body is for some certain period of time but within the body of man there is the soul that is the divine spark, eternal, everlasting and never-ending. It is a part of the over-soul who is the supreme God, the super power of the ...
Duane Ackerson (October 17, 1942 – April 19, 2020) [1] was an American writer of speculative poetry and fiction. [2] Не taught at the University of Oregon, then headed the creative program at Idaho State University. He lived in Salem, Oregon, where he died on April 19, 2020. [3]
In drama, particularly the tragedies of classical antiquity, the catastrophe is the final resolution in a poem or narrative plot, which unravels the intrigue and brings the piece to a close. In comedies, this may be a marriage between main characters ; in tragedies, it may be the death of one or more main characters.
The poet Edgar Allan Poe suggested in Eureka: A Prose Poem that the finite age of the observable universe resolves the apparent paradox. [8] More specifically, because the universe is finitely old (more precisely the Stelliferous Era is only finitely old) and the speed of light is finite, only finitely many stars can be observed from Earth ...
The poem, described as a "drama of literary anguish", is a dramatic interior monologue of an urban man stricken with feelings of isolation and an incapability for decisive action that is said "to epitomize [the] frustration and impotence of the modern individual" and "represent thwarted desires and modern disillusionment". [5]
In closing, the poem's speaker suggests – with an ironic optimism – an escape to "a hell of a good universe next door". [3] The poem relies on coined compound words and other wordplay to carry its meaning. [3] [4] As with many of Cummings's poems, his idiosyncratic orthography and grammar provide an immediacy to the printed words. [2]