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Sterling silver jewelry was soldered, and surrounded by scrolls, beads, and leaf patterns. Turquoise is closely associated with Navajo jewelry, but it was not until 1880 that the first turquoise was known to be set in silver. Turquoise became much more readily available in ensuing decades.
Double stranded Zuni fetish necklace with eagle fetish in center, 40 total fetishes made from turquoise, jet, pipestone, serpentine, mother of pearl, spiny oyster shell. The fetishes are strung on fine sinew strung with olive shell and turquoise heshi (beads), with a hand-made sterling silver clasp and cones. The carver of this object is unknown.
Some jewellery is plated to give it a shiny, reflective look or to achieve a desired colour. Sterling silver jewellery may be plated with a thin layer of 0.999 fine silver (a process known as flashing) or plated with rhodium or gold. Base metal costume jewellery may also be plated with silver, gold, or rhodium for a more attractive finish.
Charles Sequevya Loloma (January 7, 1921 — June 9, 1991) was a Hopi Native American artist known for his jewelry. He also worked in pottery, painting and ceramics. A highly influential Native American jeweler during the 20th century, [1] Loloma popularized use of gold and gemstones not previously used in Hopi jewelry.
Little is known of Atsidi Sani. However, it is known that he was born near Wheatfields, Arizona, c. 1830 as part of the Dibelizhini (Black Sheep) clan. [1] [2] He was known by many names, but to his people, he was known as Atsidi Sani, which translates to "Old Smith," and to the Mexicans he was known as Herrero, which means "Iron Worker."
Gold and silver necklaces were often ornamented with foreign and semi-precious objects such as amber, pearl, amethyst, sapphire, and diamond. [10] In addition, ropes of pearls, gold plates inset with enamel, and lustrous stones set in gold filigree were often worn. [ 4 ]
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