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It is the second song on side B of the Columbia LP containing 12 songs in all. Though a "pop" song, radio stations across the United States continue to program George Morgan's version as a gospel selection to this day. [citation needed] The song was performed live by Leonard Cohen since 1988 and was released on his album Live in London (2009).
Shadrack" (aka "Shadrach" or "Shadrach, Meshach and Abednego") is a popular song written by Robert MacGimsey [1] in the 1930s and performed by Louis Armstrong and others. Background [ edit ]
"10,000 Reasons (Bless the Lord)" is a song by the English worship singer-songwriter Matt Redman from his tenth album of the same name (2011). He wrote it with the Swedish singer Jonas Myrin . [ 1 ] The track was subsequently included on a number of compilations, covered by other artists and included as congregational worship music in English ...
The song garnered him recognition as a songwriter. [10] He recorded the song himself for the first time in his 1971 album Yesterday's Wine. [11] In 1980 he used "Family Bible" as the title track of his gospel album, and released it as a single the same year. [12] The song became one of Nelson's recurring numbers during live performances. [5]
It reached number seven during the fall of 1955 and is the most successful version of the song. The B-side of Cornell's record, "Love Is a Many-Splendored Thing," also reached the U.S. Top 40, peaking at number 26. [1] It was the theme song of the movie of the same name. His version was the second of five charting versions of the song during 1955.
Christian Songs is a record chart compiled and published by Billboard that measures the top-performing contemporary Christian music songs in the United States. The data was compiled by Nielsen Broadcast Data Systems based on the weekly audience impressions of each song played on contemporary Christian radio stations until the end of November 2013. [1]
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Biblical Songs was written between 5 and 26 March 1894, while DvoĆák was living in New York City. It has been suggested that he was prompted to write them by news of a death (of his father Frantisek, or of the composers Tchaikovsky or Gounod, or of the conductor Hans von Bülow); but there is no good evidence for that, and the most likely explanation is that he felt out of place in the ...