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The Prelude or, Growth of a Poet's Mind; An Autobiographical Poem is an autobiographical poem in blank verse by the English poet William Wordsworth. [1] Intended as the introduction to the more philosophical poem The Recluse, which Wordsworth never finished, The Prelude is an extremely personal work and reveals many details of Wordsworth's life.
This analysis is limited to a factual observation of the score and the links with the choruses Les quatre élémens, from which all the themes of Les preludes are derived. [ 10 ] [ 11 ] [ 12 ] For the possibilities of interpretation according to a programme added later, linked to Lamartine or to the preface by Carolyne zu Sayn-Wittgenstein, see ...
Mid-eighteenth century manuscript copy of Prelude, BWV 555 in the durezza style of Girolamo Frescobaldi. While originally attributed to Bach, scientific examination of the extant manuscripts by Alfred Dürr in 1987 and subsequent stylistic analysis of the score by Peter Williams have suggested that the eight preludes and fugues might have been composed by one of his pupils, Johann Ludwig Krebs.
The title of the piece was inspired by "The Garden of Paradise", a fairy tale [1] by Hans Christian Andersen that was translated into French and published in 1907.[2]: 194 Debussy was known to have an affinity towards Andersen's stories, and it has been theorized that the author's character Zephyr – the West Wind – would have "appealed" to the composer when he was writing the prelude.
The Excursion: Being a portion of The Recluse, a poem is itself a long poem by Romantic poet William Wordsworth and was first published in 1814 [1] (see 1814 in poetry).It was intended to be the second part of The Recluse, an unfinished larger work that was also meant to include The Prelude, Wordsworth's other long poem, which was eventually published posthumously.
Created Date: 8/30/2012 4:52:52 PM
Debussy dated this prelude December 27, 1909, a day after he wrote Les collines d'Anacapri. [5] Critical music writer Victor Lederer states how the dates Debussy wrote at the top of some of his preludes are more likely the date he completed the pieces rather than the day he started writing them, given that some of them were quite long and musically complex. [6]
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