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African-American musical drama films (20 P) Pages in category "African-American musical films" The following 49 pages are in this category, out of 49 total.
Carmen Jones is a 1954 American musical film featuring an African American cast starring Harry Belafonte, Dorothy Dandridge, and Pearl Bailey and produced and directed by Otto Preminger. The screenplay by Harry Kleiner is based on the lyrics and book by Oscar Hammerstein II , from the 1943 stage musical of the same name , set to the music of ...
Pages in category "African-American musical drama films" The following 20 pages are in this category, out of 20 total. This list may not reflect recent changes. B.
Stormy Weather is a 1943 American musical film produced and released by 20th Century Fox, adapted by Frederick J. Jackson, Ted Koehler and H.S. Kraft from the story by Jerry Horwin and Seymour B. Robinson, directed by Andrew L. Stone, produced by William LeBaron and starring Lena Horne, Bill "Bojangles" Robinson, and Cab Calloway.
The African Grove Theatre opened in New York City in 1821. It was subjected to harassment and intimidation, eventually closing. [citation needed]Before the late 1890s, the image portrayed of African Americans on Broadway was a "secondhand vision of black life created by European-American performers."
Full film. Hallelujah is a 1929 American pre-Code Metro-Goldwyn-Mayer musical directed by King Vidor, and starring Daniel L. Haynes and Nina Mae McKinney.. Filmed in Tennessee and Arkansas and chronicling the troubled quest of a sharecropper, Zeke Johnson (Haynes), and his relationship with the seductive Chick (McKinney), Hallelujah was one of the first films with an all-African American cast ...
Polly is a 1989 American made-for-television musical film adapted from the book Pollyanna by Eleanor H. Porter featuring an all African-American cast (with the exception of Celeste Holm). It was directed and choreographed by Debbie Allen , starring Keshia Knight Pulliam , Phylicia Rashad and also featured the final performance of actress ...
The result is one of Sayles' best films. The music, a mix of blues, seminal rock and newcomer Gary Clark Jr.'s performance, will be an obvious draw, as will the performances by some leading African-American actors." [4] Critic Kirk Honeycutt was uncomfortable with the stereotypes in the film but praised it due to Sayles' film background.
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