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Family values, sometimes referred to as familial values, are traditional or cultural values that pertain to the family's structure, function, roles, beliefs, attitudes, and ideals. Additionally, the concept of family values may be understood as a reflection of the degree to which familial relationships are valued within an individual's life.
Feminists focused on domestic violence, arguing that the reluctance—in law or in practice—of the state to intervene and offer protection to women who have been abused within the family, is in violation of women's human rights, and is the result of an ideology which places family relations outside the conceptual framework of human rights. [179]
The Desperate Women, a Majestic Pictures film; the Legion said that "it ignores completely essential and supernatural values associated with questions of this nature". [10] A Husband for Anna, an Italian import. [10] I Am a Camera, a British import the Legion condemned [63] for its "basic story, characterization, dialogue and costuming". [10]
The National Legion of Decency, also known as the Catholic Legion of Decency, [1] was an American Catholic group founded in 1934 by the Archbishop of Cincinnati, John T. McNicholas, as an organization dedicated to identifying objectionable content in motion pictures on behalf of Catholic audiences.
Morals for Women (known in the UK as Farewell Party [2] and in re-release as Big City Interlude [3]) is a 1931 American pre-Code film produced and released by Tiffany Pictures, often considered a low budget studio. The film stars Bessie Love and Conway Tearle.
Her readers were women who might be the first in their family to employ a domestic servant, striving to adapt to an exclusively domestic role. Understandably, historians have focused on Ellis's education of these women in domestic duties, along with appropriate submission to their husbands: in the famous phrase, to "suffer and be still."
Europe is full of such "comedians of the Christian-moral ideal." In a sense, if anyone is inimical to the ideal it is they, because they at least "arouse mistrust" (§27). The will to truth that is bred by the ascetic ideal has in its turn led to the spread of a truthfulness the pursuit of which has brought the will to truth itself in peril.
Moral is a 1982 Filipino coming-of-age drama film directed by Marilou Diaz-Abaya and written by Ricky Lee.It is the second in a loose trilogy of feminist films by Diaz-Abaya and Lee which discusses women's issues, along with Brutal (1980) and Karnal (1983).