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North American Indian Jewelry and Adornment: From Prehistory to the Present. New York: Harry N. Abrams, 1999: 170-171. ISBN 0-8109-3689-5. Haley, James L. Apaches: a history and culture portrait. Norman: University of Oklahoma Press, 1997. ISBN 978-0-8061-2978-5. Karasik, Carol. The Turquoise Trail: Native American Jewelry and Culture of the ...
The term "squash blossom" was apparently attached to the name of the Navajo necklace at an early date, although its bud-shaped beads are thought to derive from Spanish-Mexican pomegranate designs. [58] The Navajo silversmiths also borrowed the "naja" (najahe in Navajo) [59] symbol to shape the silver pendant that hangs from the "squash blossom ...
Many squaw dresses would be accessorized with concho belts, squash blossom necklaces and turquoise earrings. [7] [8] [9] Later versions of the squaw dress included metallic fabrics and glitter. [10] [11] The garment was described as being comfortable and flattering to most figures, according to The Arizona Republic. [12]
Fetish necklaces can be single stranded or have multiple strands. It is believed that each carved animal depicted in the necklace has a spirit that resides within it. With the emergence of Zuni jewelry created for sale or trade in the 20th century, in particular in the 1960s and 1970s, a more realistic carving style developed.
The Maharaja of Indore Necklace is a diamond and emerald-studded necklace. As of 2008, it is on display at the National Museum of Natural History in Washington, D.C., United States. It was originally named the Spanish Inquisition Necklace by the American jeweller Harry Winston, though it had no known connection with the historical Spanish ...
The Indian subcontinent has a long jewellery history, which has gone through various changes via cultural influence and politics for more than 5,000–8,000 years. [ citation needed ] Because India had an abundant supply of precious metals and gems, it prospered financially through export and exchange with other countries.
The court necklace originated from a Buddhist rosary sent in 1643 by the Dalai Lama to the first emperor of the Qing dynasty. The necklace is composed of 108 small beads, with 4 large beads of contrasting stones to symbolize the 4 seasons, and was placed between groups of 27 beads.
Tamil people have historically been connoisseurs of fine golden jewellery, which has a history predating the Sangam period in the Indian subcontinent. Ancient Tamil literature lists out the different types of jewellery worn by women historically from head to toe. Apart from gold, jewellery was also fashioned out of silver, copper and brass.
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