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The Oboe Concerto in D minor, S D935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello. The earliest extant manuscript containing Johann Sebastian Bach 's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715.
Upload file; Search. Search. ... Download as PDF; Printable version ... move to sidebar hide. The Oboe Concerto in E-flat major is an oboe concerto by Carl Phillip ...
A number of concertos (as well as non-concerto works) have been written for the oboe, both as a solo instrument as well as in conjunction with other solo instrument(s), and accompanied by string orchestra, chamber orchestra, full orchestra, concert band, or similar large ensemble. These include concertos by the following composers:
Oboe Concerto (Vaughan Williams): Scores at the International Music Score Library Project; Mark Satola. Ralph Vaughan Williams: Oboe Concerto in A minor at AllMusic; Program notes Archived 8 February 2008 at the Wayback Machine by Jason Sundram; Program notes by David Hoose (archive from 20 March 2012, accessed 28 April 2016)
The oboe concerto was rediscovered by Bernhard Paumgartner in 1920, who found a handwritten set of parts in the Salzburg Mozarteum archives, and recognized the similarity with the flute concerto in D. [2] [1] Alfred Einstein, editor of the third edition of the Köchel catalogue (1937), noted that both a D major and a C major copy of the K. 314 ...
Upload file; Special pages ... Get shortened URL; Download QR code; Print/export Download as PDF; ... The oboe concerto No.1 in F major, opus 37, is an oboe concerto ...
Bellini's teacher, Niccolò Antonio Zingarelli. [2]The concerto has often been noted for its operatic qualities and the usage of bel canto themes in the solo oboe part. Valeria Lucentini, in an introduction to an edition of the piece, wrote, "Bellini devolves the lively and intense expressiveness of vocal music to the cantab
Tancibudek was given permission from the composer to retain the manuscript of the concerto. Comparing this with the work published after Martinů's death, he noticed a considerable number of discrepancies. In the 1980s, he and James Brody at Indiana University published a list of corrections with some interpretational suggestions. [13]