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English: A chord chart for beginner ukulele players that demonstrates the correct fingerings to play the 36 basic chords. Whereas most chord charts display the fretboard vertically to save space, here the fretboard is intentionally horizontal (as how a ukulele is held) to make it easier for beginners (the target audience of this chart) to use.
"I Have You to Thank" Jule Styne: Leo Robin: 1957 with Mitchell Ayres Orchestra & Ray Charles Singers Only appeared on the NBC-TV special Ruggles of Red Gap [199] "I Know" Carl Stutz Edith Lindeman: 1959 with Mitchell Ayres Orchestra & Ray Charles Singers [10] "I Know What God Is" John G. Bowen Don Raye Ned Freeman 1959 [97]
The ukulele (/ ˌ juː k ə ˈ l eɪ l i / yoo-kə-LAY-lee; from Hawaiian: ʻukulele [ˈʔukuˈlɛlɛ]), also called a uke, is a member of the lute family of instruments. The ukulele is of Portuguese origin and was popularized in Hawaii .
The chord progression over the verses includes a descending bass of A–G–F ♯ –F (I– ♭ VII–VI– ♭ VI) over an A-minor chord, leading to F-major on the F bass note. According to musicologist Dominic Pedler, the I– ♭ VII–VI– ♭ VI progression represents a hybrid of the Aeolian and Dorian modes. [ 32 ]
"Trouble" is this earthly life; the singer looks forward to a better, heavenly, one: "Trouble will soon be over, sorrow will have an end". The singer reflects that God was a friend to the Biblical King David, and hopes for like treatment: "I'll gauge that the same God that David served will give me rest some day".
The most common slack-key tuning, called "taro patch," makes a G major chord. Starting from the standard EADGBE, the high and low E strings are lowered or "slacked" to D and the fifth string from A down to G, so the notes become DGDGBD. As the chart below shows, there are also major-chord tunings based on C, F, and D.
The song is composed in the key of D minor with an outro in G major. [5] As is the case for many New Order songs of this period, the words in the title do not appear anywhere in the lyrics. The original lyrics included a verse that read "Now that we've grown up together/They're all taking drugs with me".
The Rivals remained in the active theatre repertoire until at least 1668 and Locke's melody is an obvious candidate for having been the one sung during its performance. Flood cautions against confusing it with the traditional melody used by Moore, which he claims (without substantiation) had been known under various names to Irish harpers from ...
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