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The Jazz Crusaders at the Lighthouse is a live album by The Jazz Crusaders recorded in 1962 and released on the Pacific Jazz label. [1] [2] Reception
This is one [of] the most intimate jazz shows captured on tape during the 1960s. It gives record buyers the sound of a band in full possession of their considerable capabilities, celebrating them in a relaxed environment, playing their own brand of grooved-out '60s jazz".
Powerhouse is a 1969 album by The Jazz Crusaders.It was their fourteenth album produced by Richard Bock for World Pacific Jazz Records. It was the first album in which Joe Sample played on the Fender Rhodes and according to Thom Jurek in his AllMusic review, would mark a turning point for the band.
Lighthouse '69 (1969) Give Peace a Chance (1970) Lighthouse '69 is a live album by The Jazz Crusaders recorded in 1969 and released on the Pacific Jazz label. [1] [2]
Live at the Lighthouse is a live album by jazz trumpeter Lee Morgan, released on the Blue Note label in 1971. The album features a quintet of Morgan, Bennie Maupin, Harold Mabern, Jymie Merritt, and Mickey Roker, recorded at The Lighthouse in Hermosa Beach, California in July 1970. (Jack DeJohnette replaces Roker on drums on "Speedball".)
Live at the Lighthouse is a live album by jazz drummer Elvin Jones featuring performances recorded in 1972 at the Lighthouse Café in California, and released on the Blue Note label. [2] The album was originally released as a double LP and subsequently released on two CDs with additional material.
Live at the Lighthouse is a live album by American jazz group the Modern Jazz Quartet recorded by Wally Heider at the Lighthouse Café in 1967 and released on the Atlantic label. [ 3 ] Reception
The Telegraph states that it is a "comprehensive guide to the most important jazz compositions, is a unique resource, a browser's companion, and an invaluable introduction to the art form", adding that "musicians who play these songs night after night now have a handy guide, outlining their history and significance and telling how they have been performed by different generations of jazz ...