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D-274 that exemplifies the products of Steinway's factory in Hamburg, Germany. D-274 (or D) is the model name of a concert grand piano, the flagship of the Steinway & Sons piano company, [1] first built in 1884. [2] [3] It is generally described as the first choice of most concert pianists. [1]
The name "Vertegrand" displayed along the top of the iron frame reflected the instrument's size relative to Steinway's then-current lineup; at 52 inches (132 cm), it was smaller than the 54.3-inch (138 cm) "Upright Grand" scale (Model I in New York; Model R in Hamburg) introduced in 1894, but larger than the 49-inch (125 cm) scale that would ...
As of 2012, the only piano factory in Latin America. [18] Edelweiss [19] Cambridge: UK 1975–present: All upright and grand piano come by default as player pianos. [19] Estonia [20] Tallinn: Estonia 1950–present: Fazioli [21] Sacile: Italy 1978–present: Has its own line of artists. [22] Ferd. Thürmer [23] Bochum: Germany 1834–present
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The 1901 Steinway New York catalogue states the following for the "Style I [Model I]": "Upright Grand--Very handsome case, two solid Doric columns, united by stretcher to corresponding pilasters, support the keyboard. Top supported by similar pilasters. Moulding on upper edge of frame front and sides. One upper and one lower front panel.
Keys of a Steinway grand piano. Steinway keys are made of Bavarian spruce. [157] The surface of the white keys is made of polymer; earlier, they had been made of elephant ivory. Around the 1950s, Steinway switched from using ivory, [158] and some years later use of ivory for piano keys was outlawed. [159]
Grotrian-Steinweg grand piano inner mechanism. Grotrian-Steinweg's history dates back to 1835 when the first Steinweg piano factory was built by Heinrich Engelhard Steinweg (later known as Henry Steinway after his emigration to the US where he founded Steinway & Sons). In 1856, Friedrich Grotrian became a partner; in 1865 his son Wilhelm ...
The Steinway Model D, the most commonly used modern concert grand. A piano from 1827 by the English firm Broadwood and Sons; it has sculpted legs and employs a lyre shape to support the pedals. The concert grands that appear on world's stages bear very little overt decoration.
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