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Chord diagrams for some common chords in major-thirds tuning. In music, a chord diagram (also called a fretboard diagram or fingering diagram) is a diagram indicating the fingering of a chord on fretted string instruments, showing a schematic view of the fretboard with markings for the frets that should be pressed when playing the chord. [1]
The suspended fourth chord is often played inadvertently, or as an adornment, by barring an additional string from a power chord shape (e.g., E5 chord, playing the second fret of the G string with the same finger barring strings A and D); making it an easy and common extension in the context of power chords.
Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad; Quartal chord ...
For example, when the current chord is an E major and the next is an F ♯ major, the guitarist barres the open E major up two frets (two semitones) from the open position to produce the barred F ♯ major chord. Such chords are hard to play for beginners due to the pressing of multiple strings with a single finger.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
For all-fourths tuning, all twelve major chords (in the first or open positions) are generated by two chords, the open F major chord and the D major chord. The regularity of chord-patterns reduces the number of finger positions that need to be memorized. [20] The left-handed involute of an all-fourths tuning is an all-fifths tuning.
Free-stroke , in which the finger does not land on the string behind, but, rather, continues until the energy of the stroke is dissipated. Rest stroke is useful for single-line melody playing. Free-stroke is mainly used in arpeggio ("broken-chord") playing. They are often combined to provide contrasting voices, between melody and harmony.
An illustration shows this C7 voicing (C, E, G, B ♭), which would be extremely difficult to play in standard tuning, [30] besides the openly voiced C7-chord that is conventional in standard tuning: [30] This open-position C7 chord is termed a second-inversion C7 drop 2 chord (C, G, B ♭, E), because the second-highest note (C) in the second ...
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