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The traditional border arrangement was highly conserved through time, but can also be modified to the effect that the field encroaches on the main border. Seen in Kerman rugs and Turkish rugs from the late eighteenth century "mecidi" period, this feature was likely taken over from French Aubusson or Savonnerie weaving designs.
One of the most important conditions for the development of carpet and rug weaving was the availability of towns and cities, where the arts and crafts might develop. These cities and towns also served as large commercial centers located on main ancient trade routes that passed by the Armenian Highland , including one of the branches of the Silk ...
The field of this rug is arranged in the common style, with birds facing a tree, but the birds are crested, and their design is more elaborate. The corners of the composition are filled with animal motifs, perhaps dragons. An animal-style rug with this more developed design appears on a painting by William Larkin (Yetkin, 1981, p. 28 [12] [14]).
Anatolian double-niche rug, Konya region, circa 1750–1800. LACMA M.2004.32 Bergama rug, west Anatolia, first half of 18th century.. Anatolian rug or Turkish carpet (Turkish: Türk Halısı) [1] is a term of convenience, commonly used today to denote rugs and carpets woven in Anatolia and its adjacent regions.
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Detail of the Mantes Carpet, Safavid, Louvre Hunting Carpet made by Ghiyâth-ud-Din Jâmi, wool, cotton and silk, 1542–1543, Museo Poldi Pezzoli, Milan 16th century, the "Schwarzenberg Carpet" Persian Safavid period Animal carpet 16th century, Museum für Kunst und Gewerbe Hamburg Detail of the above carpet Safavid Kerman ‘vase’ carpet fragment, southeast Persia, early 17th century
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