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An early eighteenth-century German Schrank with a traditional display of corals (Naturkundenmuseum, Berlin) In seventeenth-century parlance, both French and English, a cabinet came to signify a collection of works of art, which might still also include an assembly of objects of virtù or curiosities, such as a virtuoso would find intellectually ...
Some of the most expensive are French and German 18th century examples, and the record auction price for a German box is £789,250 (about US$1.3 million), bid in 2003 at Christie's in London. Modern snuff boxes are made from a variety of woods, pewter and even plastic and are manufactured in surprising numbers due, largely, to snuff's ...
Before 1750, the German upper classes often looked to France (or, previously, Italy) for intellectual, cultural and architectural leadership; French was the language of high society. By the mid-18th century the "Aufklärung" (The Enlightenment) had transformed German high culture in music, philosophy, science and literature.
The manufacturing plant in the second half of the 19th century. In the 18th century the territory of Lichte (Wallendorf) was located in two different principalities with the Lichte river forming the border. On the west bank was Schwarzburg-Rudolstadt and on the east bank Saxe-Coburg-Saalfeld.
Jasperware's composition varies but according to one 19th-century analysis it was approximately: 57% barium sulphate, 29% ball clay, 10% flint, 4% barium carbonate. Barium sulphate ("cawk" or "heavy-spar") was a fluxing agent and obtainable as a by-product of lead mining in nearby Derbyshire .
Until the 18th century, porcelain had to be imported into Europe from East Asia and was thus rare on the continent. The first European hard-paste porcelain factory was that making Meissen porcelain from 1710, followed by Vienna porcelain in 1718, the Höchst Porcelain Manufactory [ de ] in 1746, Fürstenberg and Nymphenburg in 1747, Berlin in ...
The Frankenthal factory was in operation for only 44 years (run for 7 years by the Hannongs, and for 37 by the electoral administration) and is thus the shortest-lived of the major German porcelain manufacturers. It was marked by an unusually numerous succession of directors and principal modellers, although some of the main painters spent a ...
Johann Joachim Kaendler Goat, one of the large animal figures for the Japanese Palace in Dresden Commedia dell'arte figurines, c. 1736-1744. Johann Joachim Kändler (June 15, 1706 – May 18, 1775) was a German sculptor who became the most important modeller of the Meissen porcelain manufactury, and arguably of all European porcelain.
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