Search results
Results from the WOW.Com Content Network
Saint Augustine (354–430) in the City of God based the discussion of the miraculous aspects of monsters (including the salamander in fire) largely on Pliny's Natural History. [37] Augustine then used the example of the salamander to argue for the plausibility of the Purgatory where humans being punished by being burned in eternal flame. [38] [1]
But images of God the Father were not directly addressed in Constantinople in 869. A list of permitted icons was enumerated at this Council, but images of God the Father were not among them. [17] However, the general acceptance of icons and holy images began to create an atmosphere in which God the Father could be depicted. [citation needed]
The natural world contains many strange things, including elemental beings corresponding to the four classical elements: undines , sylphs , gnomes and salamanders . He dismisses the conventional Christian view that elemental beings are devils, instead arguing that they are significant parts of God's creation, and studies them like he studied ...
The art of the Middle Ages was mainly religious, reflecting the relationship between God and man, created in His image. The animal often appears confronted or dominated by man, but a second current of thought stemming from Saint Paul and Aristotle, which developed from the 12th century onwards, includes animals and humans in the same community of living creatures.
The phrase "image of God" is found in three passages in the Hebrew Bible, all in the Book of Genesis 1–11: . And God said: 'Let us make man in our image/b'tsalmeinu, after our likeness/kid'muteinu; and let them have dominion over the fish of the sea, and over the fowl of the air, and over the cattle, and over all the earth, and over every creeping thing that creepeth upon the earth.'
The majority of early Christian art depicts The Holy Spirit in an anthropomorphic form as a human with two other Identical human figures representing God the Father and Jesus Christ. They either sit or they stand grouped together. This is used to portray the unity of the Most Holy Trinity. [7] [8]
Pages in category "Cultural depictions of Adam and Eve" The following 110 pages are in this category, out of 110 total. This list may not reflect recent changes .
Dwarfing the other pieces of art is a partial wall painting on (again) white plaster, with black and red paint like the rest, adding yellow. It's a seated figure, with neither breasts nor beard; perhaps a younger male god or prince. A lotus is near or touching his mouth, like the lotus touching the male's face on jar A. [citation needed]