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Istihlal (Arabic: استحلال istiḥlāl) is a term used in Islamic jurisprudence, or fiqh, to refer to the act of regarding some action as permissible, or halaal, although it is haraam; the implication is that such a regard is an erroneous and improper distortion of Islamic law.
Nam dược thần hiệu by Tuệ Tĩnh. Various compendiums and treatises on traditional Vietnamese medicine include the 11-volume Nam dược thần hiệu by the 14th century physician Tuệ Tĩnh [9] and Hải Thượng y tông tâm lĩnh by the 18th century physician Hải Thượng Lãn Ông.
In the 10th century, the area was the domain of the Tran clan, which rose in power to become the Trần Dynasty of Vietnam in the early 13th century. The town Thái Bình (Sino-Vietnamese: 太平) developed near the Keo Pagoda constructed in 1061.
Đông Hồ painting depicts Phù Đổng Thiên Vương Statue of little Thánh Gióng at Phù Đổng Six-Way Intersection, Ho Chi Minh City. Thánh Gióng (chữ Nôm: 聖揀), [1] also known as Phù Đổng Thiên Vương (chữ Hán: 扶董天王, Heavenly Prince of Phù Đổng), Sóc Thiên Vương (chữ Hán: 朔天王), Ông Gióng (翁揀, sir Gióng) [2] [3] and Xung Thiên Thần ...
Ngô Quyền was born in 898 AD in Đường Lâm (modern-day Sơn Tây District, Hanoi of northern Vietnam) during the Tang dynasty.He was the son of Ngô Mân, an influential official in Phong, Annan (today Phu Tho province). [3]
Nam Cương became more and more powerful while Văn Lang became weak. [1] [7] Subsequently, he invaded Văn Lang and founded the state of Âu Lạc in approximately 257 BCE, proclaiming himself King An Dương (An Dương Vương). [1] The story of An Dương Vương's origin in Nam Cương is considered suspect by some historians.
Hoàng Lê nhất thống chí (皇 黎 一 統 志, Records of the Unification of Imperial Lê), also known as An Nam nhất thống chí (安 南 一 統 志, Records of the Unification of Annam), written by the Writers of Ngô family (吳 家 文 派, Ngô gia văn phái), is a Vietnamese historical novel written in Classical Chinese which consists of 17 chapter based upon the events in the ...
View of the Diên Ứng Pagoda.. Đông Hồ painting is a genre of Vietnamese woodcut paintings originating from Đông Hồ village (làng Đông Hồ).; Luy Lâu [note 2] was the ancient capital of Annam after it became a Han Dynasty Chinese province called Jiaozhou, or Jiaozhi under the Chinese Commander-in-chief Sĩ Tiếp.