Search results
Results from the WOW.Com Content Network
Solo de concert No. 4, Opus 84 for Tenor Saxophone and Piano (1862)—Jean-Baptiste Singelée; Solo de concert No. 6, Opus 92 for Tenor Saxophone and Piano (1863)—Jean-Baptiste Singelée; Premier Solo andante et bolero for tenor saxophone and piano (1866)—Jules Demersseman; Brasiliana No. 7 for Tenor Saxophone and Piano (1956)—Radamés ...
Caprice No. 5 is one of 24 caprices for solo violin composed by virtuoso violinist Niccolò Paganini in the early 19th century. The piece is known for its fast tempo and technical difficulty. Paganini is said to have been able to play it on one string, but there is no evidence to support or refute this. [1]
Bucharest Radio, Contemporary Music Festival: Claude Delangle: Bakla, Petr: First comes the obvious opening gesture, but then the plot thickens, and the sweet background music is not what really matters here: 2010: 6' alto: with tape: 2010-06-12, Basel: Polaris Trio [3] Barath, Eva...und begriff, dass es ein Traum gewesen: 1994: 12' 1994-12-07 ...
The genre of solo saxophone has a rich, but largely unmapped history in contemporary music, particularly jazz. [1] Many, but not all, musicians who play and record solo saxophone use extended techniques, a vocabulary of the saxophone beyond its normal range.
This same trip to Los Angeles also included recording sessions that resulted in hits for Domino, including "Blue Monday", on which Hardesty played the baritone saxophone solo because the other musician was unable to get the right sound; it was the first and only time that Hardesty played baritone sax. One music writer said this solo "is as ...
IMSLP logo (2007–2015) The blue letter featured in Petrucci Music Library logo, used in 2007–2015, was based on the first printed book of music, the Harmonice Musices Odhecaton, published by Ottaviano Petrucci in 1501. [5] From 2007 to 2015, the IMSLP / Petrucci Music Library used a logo based on a score.
The saxophone then intertwines the melody with lyrical themes of the strings. This interaction results in tonal color. This part features tempo shifts. The saxophone then plays a cadenza that leads to the Fugato part. Syncopated rhythms are introduced in the orchestra. The saxophone soloist plays the melody which are taken up by the strings.
The Saxophone Concerto, Op. 14, is a three-movement concertante composition for alto saxophone and string orchestra written in 1934 by the Swedish composer Lars-Erik Larsson. The piece premiered on 27 November 1934 in Norrköping , Sweden, with Tord Benner [ sv ] conducting the Norrköping Orchestral Association . [ 1 ]