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A candi bentar marks the entrance into a Balinese temple Pura Lempuyang Luhur, Bali.. Candi bentar, or split gateway, is a classical Javanese and Balinese gateway entrance commonly found at the entrance of religious compounds, palaces, or cemeteries in Indonesia. [1]
Batik tujuh rupa is known to be very rich in color, describing the characteristics of coastal community life which are easy to adapt to outside cultural influences, and are also able to adapt to the influence of inland batik.
Kawung batik (Indonesian: Batik Kawung) is an Indonesian batik motif [1] whose shape is in the form of a circle similar to a kawung fruit (a type of coconut or sometimes also considered as sugar palm or palm fruit) which is neatly arranged geometrically.
Wayang golek (wooden puppet) performance, Indonesia The history of the wayang golek began in the 17th century. Initially, the wayang golek art emerged and was born on the north coast of the island of Java, especially in Cirebon, the wayang used is the wayang cepak in the form of a papak or flat head.
The formal elements, those aesthetic effects created by design, upon which figurative art is dependent, include line, shape, color, light and dark, mass, volume, texture, and perspective, [2] although these elements of design could also play a role in creating other types of imagery—for instance abstract, or non-representational or non-objective two-dimensional artwork.
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Mbaru Niang is located in the traditional settlement of the Manggarai people in Waerebo, Satar Lenda Village, Satar Mesa District, Manggarai Regency. The location of Waerebo Village is at coordinates 8°46'8.88" South Latitude and 120°17'1.81" East Longitude.