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  2. 1550–1600 in European fashion - Wikipedia

    en.wikipedia.org/wiki/1550–1600_in_European...

    During this period, women's underwear consisted of a washable linen chemise or smock. This was the only article of clothing that was worn by every woman, regardless of class. Wealthy women's smocks were embroidered and trimmed with narrow lace. Smocks were made of rectangular lengths of linen; in northern Europe the smock skimmed the body and ...

  3. Wimple - Wikipedia

    en.wikipedia.org/wiki/Wimple

    A wimple is a medieval form of female headcovering, formed of a large piece of cloth worn draped around the neck and chin, covering the top of the head; it was usually made from white linen or silk. Its use developed in early medieval Europe; in medieval Christianity it was unseemly for a married woman to show her hair. A wimple might be ...

  4. 1400–1500 in European fashion - Wikipedia

    en.wikipedia.org/wiki/1400–1500_in_European...

    Survey of historic costume: A history of Western dress (2nd ed.). New York: Fairchild Publications. ISBN 1-56367-003-8. Van Buren, Anne H. Illuminating Fashion: Dress in the Art of Medieval France and the Netherlands, 1325–1515. New York: Morgan Library & Museum, 2011. ISBN 978-1-9048-3290-4

  5. 1500–1550 in European fashion - Wikipedia

    en.wikipedia.org/wiki/1500–1550_in_European...

    In the first half of the 16th century, German dress varied widely from the costume worn in other parts of Europe. Skirts were cut separately from bodices, though often were sewn together, and the open-fronted gown laced over a kirtle with a wide band of rich fabric, often jeweled and embroidered, across the bust.

  6. Houppelande - Wikipedia

    en.wikipedia.org/wiki/Houppelande

    15th century costume - the Houppelande. A houppelande or houpelande is an outer garment, with a long, full body and flaring sleeves, that was worn by both men and women in Europe in the late Middle Ages. Sometimes the houppelande was lined with fur.

  7. Were these Renaissance masterpieces some of the world ... - AOL

    www.aol.com/were-renaissance-masterpieces-world...

    The scenes of the era were both divine and mundane, from Hans Memling’s luminous nativity scene, circa 1480, to Bruegel’s depiction of an angry wife hauling home her intoxicated husband, circa ...

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