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A Punu-Lumbo mask. A Punu-Lumbo mask is a tribal mask native to the Ogooué River basin in Gabon, especially in the south in Ngounié Province. [1] The masks are extremely valuable to collectors of African art, and have been sold at Sotheby's for well over $400,000. [2]
Masks attend to honor the deceased and to verify that the spirit of the deceased merits admission into the world of ancestors. Without a proper funeral the spirit remains near the home and causes trouble for his/her descendants. Masks are often carved of the wood of Ceiba pentandra, the faux kapokier. They are carved in three major styles that ...
As African masks are largely appropriated by Europeans, they are widely commercialized and sold in most tourist-oriented markets and shops in Africa (as well as "ethnic" shops in the Western world). As a consequence, the traditional art of mask-making has gradually ceased to be a privileged, status-related practice, and mass production of masks ...
Often strips of raffia, which are pieces of fiber from the raffia palm, are attached to the mask. The white color of these masks is associated with things like the spirits of ancestors, death, and male virility or manhood. [2] Most Ngil masks are an oval shape featuring a broad forehead with an elongated chin and nose.
African art is produced using a wide range of materials and takes many distinct shapes. Because wood is a prevalent material, wood sculptures make up the majority of African art. Other materials used in creating African art include clay soil. Jewelry is a popular art form used to indicate rank, affiliation with a group, or purely aesthetics. [16]
Africa Explores: 20th-Century African Art. Center for African Art, 1994. Woodward, Richard B. African Art: Virginia Museum of Fine Arts. The Museum, 2000. Roberts, Allen F., et al. Animals in African Art: from the Familiar to the Marvelous. The Museum for African Art, 1995. "Baga - Art & Life in Africa - The University of Iowa Museum of Art."
The Woyo masks are crafted from gourds. [3] Then they are carved out of wood for use, and painted with contrasting colors. [4] The colors used had symbolic meaning and were sometimes repainted, symbolizing rebirth, or to restore the power of the mask. [4] They are also decorated with sacred objects known as nkissi. [5]
The features of the mask illustrate the group's ideal of feminine beauty. The elegant hairstyles also symbolize the importance of social cooperation, since a woman needs the help of her friends to dress her hair. [3] The Mende honor outstanding carvers of sowei masks, which are typically men, with the name Sowo Gande. According to Philips, the ...
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