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The Tara brooch was likely made for a High King of Ireland or a dignitary or cleric, probably from the Kingdom of Brega, a branch of the Uí Néills, who ruled over much of today's Leinster. The owner would have worn it on ceremonial occasions. [7] [8] Gilt and silver zoomorphic brooches were status symbols in Early Medieval Ireland
A gold, diamonds and sapphires red guilloché enamel "Boule de Genève", a type of pendant watch used as an accessory for women. An example of an object which is functional, artistic/decorative, marker of social status or a symbol of personal meaning. Humans have used jewellery for a number of different reasons:
Brooches found during the late medieval era, (1300 to 1500 AD), were worn by both men and women. Brooch shapes were generally: star-shaped, pentagonal, lobed, wheel, heart-shaped, and ring. Rings were smaller than other brooches, and often used to fasten clothing at the neck. [ 23 ]
No remaining enamel, 48 mm long. The dragonesque brooch is a distinctive type of Romano-British brooch made in Roman Britain between about 75 and 175 AD. [ 1 ] They have been found in graves and elsewhere, in recent years especially by metal-detectors, and were evidently a fairly affordable style; over 200 examples are now known. [ 2 ]
The brooches were worn by both men and women, usually singly at the shoulder by men and on the breast by women, and with the pin pointing up; an Irish law code says that in the event of injury from a pin to another person, the wearer is not at fault if the pin did not project too far and the brooch was worn in these ways by the sexes. [1]
A Suffragette brooch set with amethyst, pearl, and peridot. The suffragettes, in particular, successfully embraced the language of contemporary fashion - including its emphasis on delicate femininity - as a strategy for increasing the popular appeal of their movement and dodging the stereotype of the 'masculine' women's rights campaigner.
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