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andante At a walking pace (i.e. at a moderate tempo) andantino Slightly faster than andante (but earlier it is sometimes used to mean slightly slower than andante) ängstlich (Ger.) Anxiously anima Soul; con anima: with feeling animandosi Progressively more animated animato Animated, lively antiphon
Andante: walking: At a walking pace; flowing; moderately slow tempo Andantino: a little bit walking: Less of a walking pace than andante (so slightly quicker) A tempo: to time: Return to previous tempo Fermata: held, stopped, orig. Latin firmo "make firm, fortify" Holding or sustaining a note Grave: grave, solemn: Slow and solemn tempo (slower ...
Three (Allegro maestoso, Andante cantabile con espressione, Presto) Wolfgang Amadeus Mozart 's Piano Sonata No. 8 in A minor , K . 310 / 300d, was written in 1778 . The sonata is the first of only two Mozart piano sonatas in a minor key (the other being No. 14 in C minor, K. 457 ).
Three (Allegro con spirito, Andante con espressione, Rondeau – Allegro) Wolfgang Amadeus Mozart 's Piano Sonata No. 9 in D major , K . 311 / 284c, was written on the composer's stay in Augsburg and Mannheim in November-December 1777 , and is contemporaneous with his Sonata No. 7 in C Major K. 309 (Mozart wrote his Sonata K. 310 in the summer ...
Con grazia – with grace, or gracefully [15] Con moto – Italian for "with movement"; can be combined with a tempo indication, e.g., Andante con moto Furioso or Furibondo – 'furiously' [ 16 ] : 349
No. 1 in E♭ major, Andante moderato; No. 2 in B♭ minor, Andante non troppo e con molta espressione; No. 3. in C♯ minor, Andante con moto; The first intermezzo is among Brahms' most popular piano compositions.
Andante – Allegro – Andante in five-part rondo form (ABACA); in E ♭ major, second episode (C) in C major. Allegro molto e vivace in C minor is in a modified Scherzo form, trio section in A ♭ major. Adagio con espressione in A ♭ major. is also in ternary form (ABA) Allegro vivace in E ♭ major is in sonata rondo form (ABACABA)
The tempo Andante in 6 8 and con molto espressione indicate a more moderate playing speed than Chopin's other études with the exception of Op. 10, No. 3 and Op. 25, No. 7. This étude focuses on expressivity and chromatic structuring of the melody [4] as well as polyphonic texture.