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Rhoma Irama — Dangdut male singer/songwriter, musician, actor, politician. He recognised as The King of Dangdut Indonesia; Rini Wulandari — Indonesian pop/RnB singer. Winner of Indonesian Idol season 4; Rinto Harahap; Rizky Febian — Male pop, RnB, soul & jazz singer, songwriter. He is the son of the comedian Sule; Rossa — pop/R&B/soul ...
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A model attribution edit summary is Content in this edit is translated from the existing Indonesian Wikipedia article at [[:id:150 Album Indonesia Terbaik]]; see its history for attribution. You may also add the template {{Translated|id|150 Album Indonesia Terbaik}} to the talk page. For more guidance, see Wikipedia:Translation.
Liga Dangdut Indonesia (Indonesian Dangdut League) is an Indonesian dangdut singing competition television series produced by Indonesia Entertainmen Produksi and distributed by Surya Citra Media. It aired on Indosiar from 15 January 2018 to 23 August 2021. [1]
Orkes Melayu singer Ellya Khadam switched to dangdut in the 1970s, and by 1972, she was the number-one artist in Indonesia. Her success, along with that of Rhoma Irama, meant that by 1975, 75 per cent of all recorded music in Indonesia was of the dangdut genre, with pop bands such as Koes Plus adopting the style. [citation needed]
Rhoma Irama – dangdut male singer-songwriter, musician, actor, politician; recognised as The King of Dangdut; Rini Wulandari – Indonesian pop/R&B singer, winner of Indonesian Idol season 4; Rizky Febian – male pop, R&B, soul & jazz singer, songwriter, son of the comedian Sule
Dangdut is a popular semitraditional music genre of Indonesia which is partly derived of Indian, Arabic, and Malay music in the late 1960s in Jakarta city. It consists of melodious and harmonical music with the main tabla as the percussion beat especially in the classical dangdut versions.
Funkot music is a mix of Funky House [12] [b] and Dangdut music with a tempo of around 160 to 220 bpm. Funkot music usually includes percussion sounds such as cowbells, woodblocks, fast triple bass kicks, vocal samples (namely "ay!", "are you ready?", and "one, two, three, four" samples), the extensive use of Amen breaks, and high-pitched synths.