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The choice of paint color on the walls in Victorian homes was said to be based on the use of the room. Hallways that were in the entry hall and the stair halls were painted a somber gray so as not to compete with the surrounding rooms. Most people marbleized the walls or the woodwork.
In 2012, a show of Fox's abstract work was held at Battat Contemporary, Montreal with a major catalogue. [21] In 2013, a shows of Fox's work was exhibited at Oeno Gallery, Bloomfield, ON. In 2014, an exhibition was held at Dawson College, Montreal. [12] In 2015, the exhibition at Oeno Gallery had a major catalogue titled John Fox: Abstractions.
A silver fox. The silver fox, sometimes referred to as the black fox, [1] or blue fox, [2] is a melanistic form of the red fox (Vulpes vulpes). Silver foxes display a great deal of pelt variation. Some are completely glossy black except for a white colouration on the tip of the tail, giving them a somewhat silvery appearance.
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The painting was created in July 1911 in fellow painter August Macke's studio in Bonn, when Marc was returning from a trip to England.A few months later, on December 18, 1911, the exhibition group Der Blaue Reiter, founded by Franz Marc and Wassily Kandinsky, had its first exhibition, in Munich.
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The model in the painting is Fox's friend Edith Susan Gerard Anderson (1878–1961), who was also the model for other paintings by Fox, including On the Balcony, (Fr: Sur le Balcon) [5] and The Green Parasol [6] painted in the same year (1912). Born in Brisbane, Anderson had studied under Fox.
The Grey Passion was part of an altar painting, a triptych; its centerpiece was a sculpture by Gregor Erhart (ca. 1470 - 1540), now lost, and the wings each contained the six paintings. The Grey Passion was painted during Holbein's so-called Augsburg period, when he lived in Augsburg .