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[3]: ix In this text, Aristotle offers an account of ποιητική, which refers to poetry, and more literally, "the poetic art", deriving from the term for "poet; author; maker", ποιητής. Aristotle divides the art of poetry into verse drama (comedy, tragedy, and the satyr play), lyric poetry, and epic.
Aristotle says that peripeteia is the most powerful part of a plot in a tragedy along with discovery (anagnorisis). A peripety is the change of the kind described from one state of things within the play to its opposite, and that too in the way we are saying, in the probable or necessary sequence of events.
Anagnorisis (/ ˌ æ n ə ɡ ˈ n ɒr ɪ s ɪ s /; Ancient Greek: ἀναγνώρισις) is a moment in a play or other work when a character makes a critical discovery.Anagnorisis originally meant recognition in its Greek context, not only of a person but also of what that person stood for.
Invoking the so-called unities from Aristotle's Poetics (as interpreted by Italian and refined by French scholars over the last century), the four speakers discuss what makes a play "a just and lively imitation" of human nature in action. This definition of a play, supplied by Lisideius/Sedley (whose rhymed plays had dazzled the court and were ...
Cinepoetry: Imaginary Cinemas in French Poetry (Verbal Arts: Studies in Poetics) by Christophe Wall-romana Cinepoems and others by Benjamin Fondane Scenario's Charm(シナリオの魅力 Shinario No Miryoku ) by Fuyuhiko Kitagawa
Leonardo Bruni's translation of Aristotle's Poetics. Poetics is the study or theory of poetry, specifically the study or theory of device, structure, form, type, and effect with regards to poetry, [1] though usage of the term can also refer to literature broadly.
Aristotle's use of the term opsis, as Marvin Carlson points out, is the "final element of tragedy," but the term "receive[d] no further consideration". [3] Aristotle discusses opsis in book 6 of the poetics, [4] but only goes as far as to suggest that "spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of ...
In his Poetics, the ancient Greek philosopher Aristotle uses 'mode' in a more specific sense. Kinds of poetry, he writes, may be differentiated in three ways: according to their medium of imitation, according to their objects of imitation, and according to their mode or 'manner' of imitation (section I). "For the medium being the same, and the ...