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List of narrative techniques. A narrative technique (also, in fiction, a fictional device) is any of several storytelling methods the creator of a story uses, [1] thus effectively relaying information to the audience or making the story more complete, complex, or engaging. Some scholars also call such a technique a narrative mode, though this ...
Pace (narrative) In literature, pace or pacing is the speed at which a story is told—not necessarily the speed at which the story takes place. [1][2][3] It is an essential element of storytelling that plays a significant role in maintaining reader interest, building tension, and conveying the desired emotional impact. [4]
A frame story (also known as a frame tale, frame narrative, sandwich narrative, or intercalation) is a literary technique that serves as a companion piece to a story within a story, where an introductory or main narrative sets the stage either for a more emphasized second narrative or for a set of shorter stories. The frame story leads readers ...
Narration is the use of a written or spoken commentary to convey a story to an audience. [1] Narration is conveyed by a narrator: a specific person, or unspecified literary voice, developed by the creator of the story to deliver information to the audience, particularly about the plot: the series of events. Narration is a required element of ...
A text created from lines of a newspaper tourism article. The cut-up technique (or découpé in French) is an aleatory narrative technique in which a written text is cut up and rearranged to create a new text. The concept can be traced to the Dadaists of the 1920s, but it was developed and popularized in the 1950s and early 1960s, especially by ...
Pages in category "Narrative techniques". The following 119 pages are in this category, out of 119 total. This list may not reflect recent changes. List of narrative techniques. Plot device.
Show, don't tell is a narrative technique used in various kinds of texts to allow the reader to experience the story through actions, words, subtext, thoughts, senses, and feelings rather than through the author's exposition, summarization, and description. [1] It avoids adjectives describing the author's analysis and instead describes the ...
James Phelan (pronounced / ˈfeɪlən /; [2] born 1951) is an American writer and literary scholar of narratology. He is a third-generation Neo-Aristotelian literary critic of the Chicago School [3][4] whose work builds on and refines the work of Wayne C. Booth, with a focus on the rhetorical aspects of narrative. [5][6] He is Distinguished ...