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Songwriter (s) Ángel Aníbal. Cariñito is a Peruvian cumbia song written by Limeño Ángel Aníbal Rosado in 1979 and first interpreted by the Peruvian group Los Hijos del Sol. Readapted by numerous international groups and in different musical styles, the song is one of the best-known songs in the realm of Peruvian cumbia and cumbia in ...
Grupo Frontera is a Mexican American regional Mexican band from Edinburg, Texas.The band consists of Adelaido "Payo" Solís III (vocals, bajo quinto), Juan Javier Cantú (vocals, accordion), Julian Peña Jr. (), Alberto "Beto" Acosta (bajo quinto), Carlos Guerrero (drums), and Brian Ortega (bass guitar).
Michael Salgado. Tejano music was born in Texas. Although it has influences from Mexico and other Latin American countries, the main influences are American. The types of music that make up Tejano are folk music, roots music, rock, R&B, soul music, blues, country music and the Latin influences of norteño, mariachi, and Mexican cumbia.
A few months after the Mujeres came out, Y La Bamba released a seven-track bilingual EP called Entre Los Dos. [2] She moved to Guadalajara, Mexico, donned a traditional mariachi players’ suit for performances and promotion, and continued to make music with lo-fi percussion and guitar, yet moved in a more experimental direction. [18]
The cumbia has its origins in Colombia going back at least as far as the early 1800s, with elements from indigenous and black music traditions. In the 1940s, Colombian singer Luis Carlos Meyer Castandet emigrated to Mexico, where he worked with Mexican orchestra director Rafael de Paz. In the 1950s, he recorded what many believe to be the first ...
Bajo sexto. The Bajo sexto (Spanish: "sixth bass") is a Mexican string instrument from the guitar family with 12 strings in six double courses. It's played in a similar manner to the guitar, with the left hand changing the pitch with the frets on a fingerboard while the right hand plucks or strums the strings with or without a pick.
Eight-bar blues progressions have more variations than the more rigidly defined twelve bar format. The move to the IV chord usually happens at bar 3 (as opposed to 5 in twelve bar); however, "the I chord moving to the V chord right away, in the second measure, is a characteristic of the eight-bar blues." [1]
New Orleans is generally credited as the birthplace of jazz music, but has attracted less attention as a center of the blues. The 12-bar blues were well known in the city before most of the rest of the country. Buddy Bolden 's band was remembered at excelling on playing blues before 1906. Anthony Maggio's "I Got the Blues" was an early example ...