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The County of Flanders was created in the year 862 as a feudal fief in West Francia, the predecessor of the Kingdom of France.After a period of growing power within France, it was divided when its western districts fell under French rule in the late 12th century, with the remaining parts of Flanders came under the rule of the counts of neighbouring Hainaut in 1191.
Similarly, Flemish were drawn to smaller villages in Manitoba, where jobs in farming were available. [23] In the early 20th century, Flemish settled in significant numbers across Ontario, particularly attracted by the tobacco-growing industry, in the towns of Chatham, Leamington, Tillsonburg, Wallaceburg, Simcoe, Sarnia and Port Hope. [24] [25]
A Germanic etymology for Flanders and Flemish (Dutch: Vlaanderen, Vlaams) was proposed by Maurits Gysseling in 1948, [2] based upon an article by René Verdeyen in 1943. [ 3 ] [ 4 ] According to this proposal, the terms Flanders and Flemish are likely derived from words derived from Proto-Germanic * flaumaz , meaning stream, current, flood or eddy.
Early Netherlandish painting is the body of work by artists active in the Burgundian and Habsburg Netherlands during the 15th- and 16th-century Northern Renaissance period, once known as the Flemish Primitives. [1] It flourished especially in the cities of Bruges, Ghent, Mechelen, Leuven, Tournai and Brussels, all in present-day Belgium.
Early Netherlandish art, traditionally called Flemish Primitives, flourished during the 15th and early 16th centuries in the Low Countries, especially in the flourishing cities of Bruges and Ghent. It begins approximately with the careers of Robert Campin and Hubert and Jan van Eyck around 1400 and ends with Gerard David about 1520.
This region, in which Flemish and English were spoken from an early date, came to be known as Little England beyond Wales. [49] Many of the early Flemish settlers in England were weavers, and established themselves in the larger English towns and cities. [50]
With a writer of Hendrik Conscience's stature, Flemish literature rose ahead of French literature in Belgium's early history. [ 47 ] [ 48 ] Guido Gezelle not only explicitly referred to his writings as Flemish but used it in many of his poems, and strongly defended it:
After 1550, the Flemish and Dutch painters begin to show more interest in nature and in beauty an sich, leading to a style that incorporates Renaissance elements, but remains very far from the elegant lightness of Italian Renaissance art, [3] and directly leads to the themes of the great Flemish and Dutch Baroque painters: landscapes, still ...