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The subject's head may turn from "full face" (front view) to profile view (side view); a "three-quarter view" ("two-thirds view") is somewhere in between, ranging from almost frontal to almost profile (the fraction is the sum of the profile [one-half of the face] plus the other side's "quarter-face"; [5] alternatively, it is quantified 2 ⁄ 3 ...
Still Life with Profile of Laval is an 1886 oil painting by French artist Paul Gauguin, located in the Indianapolis Museum of Art, which is in Indianapolis, Indiana. It depicts Gauguin's friend Charles Laval in profile with an assortment of inanimate objects, including a ceramic pot Gauguin made himself. [1]
Three-quarter view may refer to: The three-quarter profile (or two-third) in portraits; The three-quarter perspective (2.5D) in video games
The art of the portrait flourished in Ancient Greek and especially Roman sculpture, where sitters demanded individualized and realistic portraits, even unflattering ones. During the 4th century, the portrait began to retreat in favor of an idealized symbol of what that person looked like.
An auxiliary view or pictorial, is an orthographic view that is projected into any plane other than one of the six primary views. [3] These views are typically used when an object has a surface in an oblique plane. By projecting into a plane parallel with the oblique surface, the true size and shape of the surface are shown.
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Profile Portrait of a Young Lady is a 1465 half-length portrait, made with oil-based paint and tempera on a poplar panel, usually attributed to Antonio del Pollaiuolo, [1] although the owning museum, the Gemäldegalerie in Berlin, now describes this work as by his brother Piero del Pollaiuolo, and as one of its most famous paintings, and as one of the most famous portraits of women from the ...
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