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Japanese aesthetics comprise a set of ancient ideals that include wabi (transient and stark beauty), sabi (the beauty of natural patina and aging), and yūgen (profound grace and subtlety). [1] These ideals, and others, underpin much of Japanese cultural and aesthetic norms on what is considered tasteful or beautiful.
The concept of space as a positive entity is opposed to the absence of such a principle in a correlated "Japanese" notion of space. Though commonly used to refer to literal, visible negative space, ma may also refer to the perception of a space, gap or interval, without necessarily requiring a physical compositional element.
Ikko Tanaka (田中 一光, Tanaka Ikkō, January 13, 1930 – January 10, 2002) was a Japanese graphic designer.. Tanaka is widely recognized for his prolific body of interdisciplinary work, which includes graphic identity and visual matter for brands and corporations including Seibu Department Stores, Mazda, Issey Miyake, Hanae Mori, and Expo 85.
The aesthetic language and conventions of these media have increasingly come to represent the totality of Japanese art and culture abroad as well; the aesthetic of kawaii, for example, originally was derived from traditional concepts within Japanese art dating back to the 15th century, [75] but was explored within popular manga and anime series ...
K. File:Kaguya-sama Love Is War – The First Kiss That Never Ends Movie Key Visual.jpeg; File:Kaiji- Final Game poster.jpg; File:Kamen Rider Saber Spin-Off Kamen Rider Sabela & Durendal.jpg
See also: Japanese art, Japanese culture, Zen, Japanese values. Pages in category "Japanese aesthetics" The following 34 pages are in this category, out of 34 total.
Media in category "1960s Japanese film posters" The following 194 files are in this category, out of 194 total. 0–9. File:13 Assassins (1963 film).jpg;
The term iki is commonly used in both conversation and writing, having had a lasting effect on the development and continuation of Japanese aesthetics in the modern day, despite not necessarily being considered exclusive of other categories of Japanese aesthetic concepts and ideals, such as wabi-sabi.
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