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This was the last Traffic album for 20 years, when Winwood and Capaldi reunited for Far from Home in 1994. When the Eagle Flies was the band's fourth consecutive studio album to reach the American Top Ten [ 1 ] and have gold album status.
Traffic is the second studio album by the English rock band of the same name, released in 1968 on Island Records in the United Kingdom as ILPS 9081T (stereo), and United Artists in the United States, as UAS 6676 (stereo).
The English rock band Traffic included the jazz-rock track "Dream Gerrard" in their 1974 album When the Eagle Flies. Lyrics are known to be mainly written by Vivian Stanshall after reading Nerval's biography. [31]
"Dear Mr. Fantasy" is a rock song by Traffic from their 1967 album, Mr. Fantasy. Jim Capaldi contributed the lyrics, while Steve Winwood and Chris Wood composed the music. [1] In a song review for AllMusic, Lindsay Planer writes: A slightly trippy dark and foreboding tone permeates both the lyrics and arrangement contrasting the rock-solid pop ...
Allmusic gave the compilation a positive review, commenting, "While previous Island collections like Feelin' Alright: The Very Best of Traffic and 20th Century Masters – The Millennium Collection dutifully cover the radio essentials, Gold provides both newbies and longtime fans with a fully stocked buffet of fan favorites and album highlights ...
Mr. Fantasy is the debut album by English rock band Traffic, released in December 1967.The recording included group members Jim Capaldi, Steve Winwood, Chris Wood, and Dave Mason; Mason temporarily left the band shortly after the album was released.
Vivian Stanshall (born Victor Anthony Stanshall; 21 March 1943 – 5 March 1995) [1] was an English singer-songwriter, [2] musician, author, poet and wit, best known for his work with the Bonzo Dog Doo-Dah Band, for his exploration of the British upper classes in Sir Henry at Rawlinson End (as a radio series for John Peel, as an audio recording, as a book and as a film), and for acting as ...
"Cars" is based on two musical sections: a verse/instrumental break and a bridge.The recording features a conventional rock rhythm section of bass guitar and drums, but the rest of the instruments used are analogue synthesisers, principally the Minimoog (augmenting the song's recognisable bass riff) and the Polymoog keyboard, providing austere synthetic string lines over the bass riff.