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Andrade, Mary J. Day of the Dead A Passion for Life – Día de los Muertos Pasión por la Vida. La Oferta Publishing, 2007. ISBN 978-0-9791624-04; Anguiano, Mariana, et al. Las tradiciones de Día de Muertos en México. Mexico City 1987. Brandes, Stanley (1997). "Sugar, Colonialism, and Death: On the Origins of Mexico's Day of the Dead".
"The Altar of the Dead" is a short story by Henry James, first published in his collection Terminations in 1895. A fable of literally life and death significance, the story explores how the protagonist tries to keep the remembrance of his dead friends, to save them from being forgotten entirely in the rush of everyday events.
An ofrenda (Spanish: "offering") is the offering placed in a home altar during the annual and traditionally Mexican Día de los Muertos celebration. An ofrenda, which may be quite large and elaborate, is usually created by the family members of a person who has died and is intended to welcome the deceased to the altar setting.
El Dia de los Muertos has many names across South America including: El Día de los Difuntos (Day of the Deceased); El Día de los Santos (Day of the Saints); Todos Santos (All Saints); El Día de las Ánimas (Day of the Souls); and El Día de las Ánimas Benditas (Day of the Blessed Souls). A combination of Pre-Columbian and Catholic ...
Pan de muertos and other offerings on an altar de muertos. In this regard, Stanley Brandes, historian and anthropologist of Mexican culture (and in particular of the Day of the Dead), comments: To the question of European vs indigenous origins, there can be no simple resolution until more extensive colonial sources come to light.
A sugar skull, a common gift for children and decoration for the Day of the Dead.. A calavera (Spanish – pronounced [kalaˈβeɾa] for "skull"), in the context of the Day of the Dead, is a representation of a human skull or skeleton.
Mictēcacihuātl as depicted in the Codex Borgia. Mictēcacihuātl (Nahuatl pronunciation: [mik.teː.kaˈsi.waːt͡ɬ], meaning "Lady of the Dead"), in Aztec mythology, is a death deity and consort of Mictlāntēcutli, god of the dead and ruler of Mictlān, the lowest level of the underworld.
Francisco Goya: "The Name of God", YHWH in triangle, fresco detail. The Adoration of the Name of God (Spanish: Adoración del nombre de Dios) or The Glory (Spanish: La gloria) (1772) is a fresco painted by Francisco Goya on the ceiling of the cupola over the Small Choir of the Virgin in the Basílica de Nuestra Señora del Pilar in Zaragoza.