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Juan Sánchez Cotán, Still Life with Game Fowl, Vegetables and Fruits (1602), Museo del Prado, Madrid. A still life (pl.: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or human-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.).
When van Gogh created still life paintings he was able to explore light and its effect on colors. A close-up of the bottle in Still Life with Straw Hat reveals that way in which van Gogh used varying shades of the same color to depict how light would fall, or be shaded, in the everyday items he painted from home or the garden. [4]
Rideau, Cruchon et Compotier (English: Curtain, Jug and Fruit Bowl) is an oil on canvas painting created c. 1893 to 1894 by French artist Paul Cézanne.It is a formal still life composition that displays Cézanne's exploration of form, balance and symmetry in objects.
At first he placed light subjects against a background, as in Still Life with Four Stone Bottles, Flask and White Cup (1884) Then he realized the effectiveness of using "pure colors, such as in Still Life with Lemons on a plate (1887) and even more so in Still Life: Drawing Board, Pipe, Onions and Sealing-Wax (1889)." [65]
The objects chosen by Miro are deliberately poor and humble, tied to ordinary people's life: an old shoe, a little of food, some things found in any kitchen. They stand as a tragic symbol. Its huge size become a threat, [7] reinforced by the contrast of colours and the ghostly light, which sometimes seem to emanate from the objects. [8]
Still Life with Teapot was painted towards the end of Cézanne's life, thought to be between 1902 and 1906. It was painted at his studio in Aix-en-Provence and the table on which the objects are arranged still survives at the studio. [2] A cloth is draped over the table, arranged carefully in elaborate but carefully arranged folds.
The painting is a still life, created to allow for an accurate representation of a physical object on a painted canvas. [2] According to the Metropolitan Museum of Art's description of the work, the painting is possibly an "experimental exercise" created during the peak of Peale's career. [1]
Still Life circa 1770. Meléndez updated and enriched the austere tradition of Spanish still life painting, which had been initiated by the 17th-century masters Juan Sánchez Cotán and Francisco de Zurbarán. Like them, Meléndez studied light's effects, texture and the color of fruits and vegetables as well as the earthenware, glass and ...
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