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Magtanim ay 'Di Biro (transl. "Planting rice is not a joke", [1] [a] and known in its English title as Planting Rice) [1] is a popular Tagalog folk song composed by Felipe de León. [ 2 ] [ disputed (for: conflict with source cited in talk) – discuss ] The song tells of the struggles of farmers, how one must twist and bend to plant rice in ...
Lucrecia Faustino Reyes-Urtula (June 29, 1929 – August 4, 1999) was a Filipino choreographer, theater director, teacher, author and researcher on ethnic dance. She was the founding director of the Bayanihan Philippine National Folk Dance Company and was named National Artist of the Philippines for dance in 1988.
Bagobo Rice Cycle, also known as Sugod Uno, is a tribal dance which portrays the rice production cycle. This includes the prepping the land, planting rice, watering the rice, and harvesting it. This dance also portrays rituals to say thank you for the rice that they were able to harvest. [9] Dugso Bukidnon Talaindig
Akiu no taue odori (秋保の田植踊) is a traditional rice-planting dance in Akiu, now part of Sendai, Miyagi Prefecture, Japan.Performed since the seventeenth century, ten female dancers accompanied by two or four males enact a repertoire of six to ten dances to the sound of flute, drums and bells. [1]
Francisca Reyes-Aquino (March 9, 1899 – November 21, 1983) was a Filipino folk dancer and academic noted for her research on Philippine folk dance. She is a recipient of the Republic Award of Merit and the Ramon Magsaysay Award and is a designated National Artist of the Philippines for Dance.
The Ramon Obusan Folkloric Group (ROFG) was founded in 1972, and started out as a fledgling folk dance company composed of some thirty performers. [1] Leaning on the vast amount of data and artifacts that he has accumulated while doing research over the years, Ramon Obusan [2] thought of starting a dance company that would mirror the traditional culture of the Philippines through dance and music.
There are more than 42,000 known major and minor festivals in the Philippines, the majority of which are in the barangay (village) level. Due to the thousands of town, city, provincial, national, and village fiestas in the country, the Philippines has traditionally been known as the Capital of the World's Festivities .
Philippine dance is influenced by the country's folk performing arts and its Hispanic traditions; a number of styles also have global influences. Igorot dances such as banga, [ 94 ] Moro dances such as pangalay and singkil , [ 95 ] Lumad dances such as kuntaw, kadal taho and lawin-lawin, and Hispanic dances such as maglalatik and subli have ...