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The Cherifian Anthem (Arabic: النشيد الشريف, romanized: an-našīd aš-šarīf) [1] [a] is the national anthem of Morocco.Composed by French military officer and chief of music for the royal Moroccan guard Léo Morgan [], it has been in use since the French protectorate period.
Music from Saharan Cellphones contains an assortment of different songs by various African musicians from Algeria, Niger, Mauritania, Nigeria, Morocco, Mali and the Ivory Coast. [6] Despite their popularity within the region, the tracks which appear on the album achieved little or no commercial release outside the Sahara. [1] [4] [7]
This is an accepted version of this page This is the latest accepted revision, reviewed on 22 December 2024. Genre of music Reggada Reggada dance Native name الرڭادة Stylistic origins Moroccan music Cultural origins Arab tribes Typical instruments Traditional instruments Adjounn, Tamja, Galal, Ghaita, Zamar and modern: synthesizer Other topics Moroccan music 2024 in reggada Reggada is a ...
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For the music of Andalusia, Spain, see main article: Music of Andalusia. Andalusi classical music (Arabic: طرب أندَلُسي, موسيقى الآلة transliterated ṭarab andalusi or Musiqa al-Ala, Spanish: música andalusí) is a major genre of Arabic music found in different local substyles across the Maghreb (Morocco, Algeria, Tunisia, and Libya in the form of the Ma'luf style).
The Trance of Seven Colors is an album by Gnawa musician Maleem Mahmoud Guinia released by Axiom and Island Records in 1994. The music, which was recorded on June 1–3, 1994 at the house of the Caid Khoubane in the Medina of Essaouira, District Chbanat, Morocco, also features tenor saxophonist Pharoah Sanders, along with a group largely consisting of members of Mahmoud's family.
Izenzaren (Berber languages: ⵉⵥⵏⵥⴰⵕⵏ; Romanized: Izenẓaren) is a Moroccan musical group playing music It was formed in 1972 in Agadir, in the Sous region of Morocco by Abdelhadi Iggout and Abdelaziz Chamkh.
The Master Musicians of Joujouka perform a variety of Sufi music that is believed to be more than one thousand years old. [4] [5] The collective became an item of interest for members of the Beat Generation in the 1950s, when Moroccan folklorist Mohamed Hamri informed European colleagues about the group's music. [3]