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Chintzware, or chintz pottery, describes chinaware and pottery covered with a dense, all-over pattern of flowers (similar to chintz textile patterns) or, less often, other objects. It is a form of transferware where the pattern is applied by transfer printing as opposed to the more traditional method of painting by hand.
Transfer printing is a method of decorating pottery or other materials using an engraved copper or steel plate from which a monochrome print on paper is taken which is then transferred by pressing onto the ceramic piece. [1] Pottery decorated using this technique is known as transferware or transfer ware.
Patterns with raised edges became popular in the mid-19th century, including "cane-coloured" Derbyshire ironstone. Some of the most well-known and collectable British ironstone manufacturers of the 19th century include: [19] Church Gresley Pottery; Edge, Malkin, Burslem, Staffordshire; Hartshorne Pottery (founded by James Onions around 1790)
Flow blue vegetable server in the "Normandy" pattern produced by Staffordshire potter Johnson Brothers c. 1890. Most flow blue ware is a kind of transferware, where the decorative patterns were applied with a paper stencil to often white-glazed blanks, or standard pottery shapes, though some wares were hand painted. The stencils burned away in ...
Sugar jar "Portman" pattern, 19th century. W H Grindley was an English pottery company that made earthenware and ironstone tableware, including flow blue.The company was founded in 1880 by William Harry Grindley, JP (b. 1859) of Tunstall, Stoke-on-Trent.
J & G Meakin had close family and corporate affiliations to the potteries Johnson Brothers, and Alfred Meakin Ltd, which explains why many patterns are similar, if not almost exactly the same. There was a takeover by J. & G. Meakin in 1968 of Midwinter Pottery .
Spode is an English brand of pottery and homewares produced in Stoke-on-Trent, England.Spode was founded by Josiah Spode (1733–1797) in 1770, and was responsible for perfecting two important techniques that were crucial to the worldwide success of the English pottery industry in the 19th century: transfer printing on earthenware and bone china.
'Blue flowers/patterns') covers a wide range of white pottery and porcelain decorated under the glaze with a blue pigment, generally cobalt oxide. The decoration was commonly applied by hand, originally by brush painting, but nowadays by stencilling or by transfer-printing , though other methods of application have also been used.
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