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An Appointment with Mr Yeats" by The Waterboys is an album of Yeats poems set to song. The poem "Down by the Salley Gardens" was based by Yeats on a fragment of a song he heard an old woman singing. Yeats' words have been recorded as a song by many performers. The song "A Bad Dream" by Keane is based on the poem "An Irish Airman Foresees His ...
"Love Today" is the second single released by London-based singer Mika, taken from his debut studio album, Life in Cartoon Motion (2007). The song was produced by Greg Wells at Rocket Carousel studios and engineered by Drew Pearson .
Wonder began writing "Love's in Need of Love Today" in late 1974, while at a hotel in New York, when his then-partner Yolanda Simmons was pregnant with their daughter Aisha. [2] He recorded a demo of the song in the key of D in his hotel room on a Fender Rhodes piano , using a portable Nakamichi cassette recorder.
2. “At Last” by Etta James (1960) Chances are, you’ve heard this song at least once in your lifetime. The minute Etta James croons “At last…” you’re swaying to the music and ...
"The Love Song of J. Alfred Prufrock" T.S. Eliot: Adapts elements of the T. S. Eliot poem. [36] "Ahab" The Graduate: MC Lars: Moby-Dick: Herman Melville: Retells the story of Moby-Dick from the perspective of Captain Ahab. [37] "Alice" Every Trick in the Book: Ice Nine Kills: Go Ask Alice: Beatrice Sparks [38] [39] "All I Wanna Do" Tuesday ...
"I was playing a ‘name that tune’ type game the other day, and ‘Tainted Love’ came on. I immediately knew the song but couldn’t for the life of me think of the artist.
Best known for songs like "End of the Road," "I'll Make Love to You" and "One Sweet Day," Boyz II Men also had a hit with "A Song for Mama," a 1997 song about a mother's steadfast love and support.
"God Only Knows" is a song by the American rock band the Beach Boys from their 1966 album Pet Sounds. Written by Brian Wilson and Tony Asher, it is a baroque-style love song distinguished for its harmonic innovation and complexity, unusual instrumentation, and subversion of typical popular music conventions, both lyrically and musically.