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The Tragedy of Othello, the Moor of Venice, often shortened to Othello (/ ɒ ˈ θ ɛ l oʊ /), is a tragedy written by William Shakespeare around 1603. Set in Venice and Cyprus , the play depicts the Moorish military commander Othello as he is manipulated by his ensign , Iago , into suspecting his wife Desdemona of infidelity.
Shakespeare uses variations on the word "honest" 51 times through the play. The word is used both as a noun and adjectivally, 26 times describing Iago. [1] [note 1] Its first outing is at the close of Act I, when Othello places Desdemona under the ensign's care, saying "Honest Iago, / My Desdemona I leave to thee". [2]
In discussing The Tragedy of Othello, scholars have long debated Iago's role—highlighting the complexity of his character and manipulativeness. Fred West contends that Shakespeare was not content with simply portraying another "stock" morality figure, and that he, like many dramatists, was particularly interested in the workings of the human ...
Othello (/ ɒ ˈ θ ɛ l oʊ /, oh-THELL-oh) is the titular protagonist in Shakespeare's Othello (c. 1601–1604). The character's origin is traced to the tale "Un Capitano Moro" in Gli Hecatommithi by Giovanni Battista Giraldi Cinthio. There, he is simply referred to as the Moor.
Desdemona (/ ˌ d ɛ z d ə ˈ m oʊ n ə /) is a character in William Shakespeare's play Othello (c. 1601–1604). Shakespeare's Desdemona is a Venetian beauty who enrages and disappoints her father, a Venetian senator, when she elopes with Othello, a Moorish Venetian military prodigy.
For the devastating tragedy "Othello," Ohio Shakespeare Festival had cast a net wide to find the right actor to play the heroic title character who becomes blinded by jealousy.
When theater historians seek to know the impact of the COVID-19 pandemic on the arts in Chicago, the wisest heads will pay some attention to Court Theatre’s 100-minute cutting of “The Tragedy ...
Shakespearean tragedy is the designation given to most tragedies written by playwright William Shakespeare. Many of his history plays share the qualifiers of a Shakespearean tragedy, but because they are based on real figures throughout the history of England , they were classified as "histories" in the First Folio .