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Detail of two gazelles from an Alhambra vase, c. 1400. The best known and most impressive examples of Andalucian wares are the Alhambra vases, a number of very large vases made to stand in niches in the Alhambra in Granada, and perhaps elsewhere. These are very atypical in Islamic pottery in having only a decorative function, with no practical ...
Some Fostoria oil and electric lamps and hand-decorated vases, 1904. In 1899, the company became associated with the National Glass Company, which was a corporate trust. Co-founder Lucien Martin left the firm in 1901 to work in Pittsburgh for National Glass. Another co-founder, William Brady, also moved to the Pittsburgh firm a short time later ...
Silver amphora-rhyton with zoomorphic handles, c. 500 BC, Vassil Bojkov Collection (Sofia, Bulgaria) An amphora (/ ˈ æ m f ər ə /; Ancient Greek: ἀμφορεύς, romanized: amphoreús; English pl. amphorae or amphoras) is a type of container [1] with a pointed bottom and characteristic shape and size which fit tightly (and therefore safely) against each other in storage rooms and ...
Also called Crystal. Clear class. Made in hobnail, Coin Dot molds, also Mandarin and Empress vases. [22] [23] Green Opalescent 1959-61 Can be a jade color to a lime green. [22] [23] Plum Opalescent 1959-62 Created by attempting to make a cranberry opalescent that could be used in pressed molds. A deep purple color. [23] Topaz Opalescent
Filling a plaster mould with slip De-moulding a large vase after it has been slip cast. Slip casting: This is suited to the making of shapes that cannot be formed by other methods. A liquid slip, made by mixing clay body with water, is poured into a highly absorbent plaster mould. Water from the slip is absorbed into the mould leaving a layer ...
Glazed earthenware vase, Rookwood Pottery, ca. 1900. American art pottery (sometimes capitalized) refers to aesthetically distinctive hand-made ceramics in earthenware and stoneware from the period 1870-1950s. Ranging from tall vases to tiles, the work features original designs, simplified shapes, and experimental glazes and painting techniques.
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