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2. The Cow with the Subtile Nose - Wikipedia

   en.wikipedia.org/wiki/The_Cow_with_the_Subtile_Nose

   The style of the painting is deliberately primitive; the large cow occupies most of the canvas, in a greenish background, which seems to represent her pasture. The cow appears unusually large, in a brownish-yellow colour. Her eyes and nose seems also very big. The title of the painting is an ironic reference to that particular feature. [4]

3. Spring Frost - Wikipedia

   en.wikipedia.org/wiki/Spring_Frost

   To compose the painting Gruner built a small structure on site to protect the canvas and, to avoid frostbite, he wrapped his legs with chaff bags. [ 4 ] There is a sense in this startling and surprisingly complex picture of a mature artist, who is also at once a wilful child, wanting to gaze directly at the sun, to revel and roll in the sun, to ...

4. The Cows (painting) - Wikipedia

   en.wikipedia.org/wiki/The_Cows_(painting)

   The painting was made by van Gogh during his stay in Auvers-sur-Oise, with Doctor Gachet. It is a copy, like van Gogh made many, of a study by Jacob Jordaens exhibited at the Palais des Beaux-Arts in Lille. The painting was not copied directly, but from an etching by Doctor Gachet from 1873, signed with his artist name, Paul van Ryssel.

5. Yellow Cow - Wikipedia

   en.wikipedia.org/wiki/Yellow_Cow

   Yellow Cow (German: Gelbe Kuh) is a painting by the German artist Franz Marc, dating to 1911. It is one of the artist's most well known works, and is one of several of his depictions of animals in Expressionist style. This work is oil on canvas and measures 140.5 x 189.2 centimeters. [1]

6. Imigongo - Wikipedia

   en.wikipedia.org/wiki/Imigongo

   Imigongo (Kinyarwanda: [i.mí.ɡôː.ŋɡo]) is an art form popular in Rwanda traditionally made by women using cow dung. Often in the colors black, white and red, popular themes include spiral and geometric designs that are painted on walls, pottery, and canvas.

7. Edward Charles Volkert - Wikipedia

   en.wikipedia.org/wiki/Edward_Charles_Volkert

   After staying in Old Lyme, Connecticut, as a guest of Florence Griswold, he eventually moved near Old Lyme in part because of his interest in painting their ever-present oxen, which Volkert described as "twice as good as cows at posing . . . oxen are always ready to stand still, but cows are more inquisitive and when a newcomer appears they ...