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Mimesis (/ m ɪ ˈ m iː s ɪ s, m aɪ-/; [1] Ancient Greek: μίμησις, mīmēsis) is a term used in literary criticism and philosophy that carries a wide range of meanings, including imitatio, imitation, nonsensuous [clarification needed] similarity, receptivity, representation, mimicry, the act of expression, the act of resembling, and the presentation of the self.
The expression of dancers was highlighted in many of the influential works as a vital aspect of the ballet d'action. To become an embodiment of emotion or passion through free expression, movement, and realistic choreography was one chief aim of this dance. [1] Thus, the mimetic aspect of dance was used to convey what the lack of dialogue could ...
Mimesis criticism is a method of interpreting texts in relation to their literary or cultural models. Mimesis, or imitation ( imitatio ), was a widely used rhetorical tool in antiquity up until the 18th century's romantic emphasis on originality.
Mimesis gives an account of the way in which everyday life in its seriousness has been represented by many Western writers, from ancient Greek and Roman writers such as Petronius and Tacitus, early Christian writers such as Augustine, Medieval writers such as Chretien de Troyes, Dante, and Boccaccio, Renaissance writers such as Montaigne, Rabelais, Shakespeare and Cervantes, seventeenth ...
Moreover, epic might have had only literary exponents, but as Plato's Ion and Aristotle's Ch. 26 of the Poetics help prove, for Plato and Aristotle at least some epic rhapsodes used all three means of mimesis: language, dance (as pantomimic gesture), and music (if only by chanting the words). [14] Subjects (Also "agents" in some translations.)
The mimetic style of film acting was used to great effect in German Expressionist film. Silent film comedians like Charlie Chaplin, Harold Lloyd, and Buster Keaton learned the craft of mime in the theatre, but, through film, they had a profound influence on mimes working in live theatre decades after their deaths. Indeed, Chaplin may be the ...
The Harlem Renaissance, which included literature by Zora Neale Hurston, poetry by Langston Hughes, and the jazz of Louis Armstrong and others, blossomed in New York, but racial prejudice was ...
Erich Auerbach (9 November 1892 – 13 October 1957) was a German philologist and comparative scholar and critic of literature.His best-known work is Mimesis: The Representation of Reality in Western Literature, a history of representation in Western literature from ancient to modern times frequently cited as a classic in the study of realism in literature. [1]