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The use of the harmonic seventh interval is characteristic of blues and is popularly called the "blues seven". [31] Blues seven chords add to the harmonic chord a note with a frequency in a 7:4 ratio to the fundamental note. At a 7:4 ratio, it is not close to any interval on the conventional Western diatonic scale. [32]
As the chords of a 12-bar blues follow a form, so does the melodic line. The melodic line might just be the melody of the piece or it might also include lyrics. The melody and lyrics frequently follow an AA'B form, meaning one phrase is played then repeated (perhaps with a slight alteration), then something new is played. [14]
The original version, an instrumental by Silver's quintet, was recorded on November 10, 1956. It has become a jazz standard. [1] Silver later wrote lyrics, which were first recorded by Silver's band with Bill Henderson singing in 1958. Mark Murphy recorded another vocal version on his 1962 Riverside album That's How I Love the Blues! [2]
Traditional blues verses in folk-music tradition have also been called floating lyrics or maverick stanzas.Floating lyrics have been described as “lines that have circulated so long in folk communities that tradition-steeped singers call them instantly to mind and rearrange them constantly, and often unconsciously, to suit their personal and community aesthetics”.
The song's production primarily consists of a lo-fi groove, jazz-influenced chords and a blues-influenced piano riff. Detailing Healy's search for truth in the world, the song's lyrics criticise other celebrities for financially exploiting their fans while also disavowing the 1975's own lyrics from "Love It If We Made It" and "Heart Out".
British rock group Cream reworked "I'm So Glad" using an electric blues rock arrangement. In September 1966, they recorded it for their debut album, Fresh Cream. [3] The song was a feature of their live performances and a recording from October 1968 is included on the album Goodbye (1969). [3]
"I Gotta Right to Sing the Blues" is a popular song with music by Harold Arlen and lyrics by Ted Koehler, published in 1932 for the Broadway show Earl Carroll's Vanities (1932). [1] The song has become a jazz and blues standard. Popular recordings in 1933 and 1934 were those by Cab Calloway, Louis Armstrong and Benny Goodman. [2]
The Genius Sings the Blues is an album by Ray Charles, released in October 1961 on Atlantic Records. [5] The album was his last release for Atlantic, compiling twelve blues songs from various sessions during his tenure for the label. The album showcases Charles's stylistic development with a combination of piano blues, jazz, and southern R&B.
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