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The lip-ribbon microphone (also known as the "commentator's lip" microphone [1]) is a type of ribbon microphone designed specially for use by live news reporters or sports commentators. [2] Organisations such as the BBC , CBS and ABC use lip-ribbon microphones to cover events including motor racing , wrestling , processions and demonstrations .
The Rolling Stones' Mick Jagger's vocals were recorded in the mid-1970s with two microphones—an SM7 and a condenser microphone—with one or the other chosen during mixdown, or a combination of the two. [1] Engineer-producer Bruce Swedien used several microphones including the SM7 to record Michael Jackson's vocals for Thriller in 1982.
It is still sought after today for use in recording brass instruments. Audio engineers experienced with the 77-DX can position the microphone at different angles to modify its frequency response. For example, with the microphone suspended, tilting it on the horizontal axis will cause the ribbon to sag slightly, resulting in a noticeable boost ...
The MV7 was rated the best podcasting microphone by Rolling Stone in their 2021 Audio Awards. [1] Designed to be mounted on a stand or boom arm, the MV7 can send its audio signal through a USB cable to a Macintosh or Windows computer, or to Android or iOS devices. To augment the microphone's capabilities, Shure supplies Motiv, a free-to-use ...
The microphone kit (two SM57 microphones, windscreens, microphone stands, and black right-angle XLR cables) is referred to as the VIP/high-profile microphone kit. The SM57 is a popular choice of musicians due to its sturdy construction and ability to work well with instruments that produce high sound pressure levels , such as percussion ...
When concealing the mic is important, such as with film production, a smaller housing may be desirable. Sanken's CUB-01 boundary microphone has a 32 mm diameter and 12 mm height, which makes it easier to hide in TV and film field shooting and easier to reposition or temporarily mount in locations (e.g. taping it onto the inside ceiling of a car).
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Field recording is typically recorded in the same channel format as the desired result, for instance, stereo recording equipment will yield a stereo product. In contrast, a multitrack remote recording captures many microphones on multiple channels, later to be creatively modified, augmented, and mixed down to a specific consumer format.
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