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Gyotaku (魚拓, from gyo "fish" + taku "stone impression", fish print(ing)) is the traditional Japanese method of printing fish, a practice which dates back to the mid-1800s. This form of nature printing , where ink is applied to a fish which is then pressed onto paper, was used by fishermen to record their catches, but has also become an art ...
The project was conducted in the ancient Japanese printing technique called Gyotaku. She learned Japanese during this time in order to communicate personally with Japanese Gyotaku artists. [4] O’Leary's style borders on the abstract yet keeps to the proportionate makeup of her subjects, combining her scientific and artistic techniques.
Kanae Yamamoto's "Fisherman" (1904). Sōsaku-hanga (創作版画, "creative prints") was an art movement of woodblock printing which was conceived in early 20th-century Japan. . It stressed the artist as the sole creator motivated by a desire for self-expression, and advocated principles of art that is "self-drawn" (自画 jiga), "self-carved" (自刻 jikoku) and "self-printed" (自摺 jizur
Around 50 prints were published by Watanabe by the late 1940s. [3] Kasamatsu began to partner with Unsodo in Kyoto from the 1950s and produced over 100 prints by 1960. [4] He also began to print and publish on his own in the Sōsaku-Hanga style. He produced nearly 80 Sōsaku-Hanga prints between 1955 and 1965. [5] [6]
The Great Wave off Kanagawa (神奈川沖浪裏, Kanagawa-oki nami-ura) print by Hokusai Metropolitan Museum of Art. Woodblock printing in Japan (木版画, mokuhanga) is a technique best known for its use in the ukiyo-e [1] artistic genre of single sheets, but it was also used for printing books in the same period.
Shikō Munakata (棟方 志功, Munakata Shikō, September 5, 1903 – September 13, 1975) was a woodblock printmaker active in Shōwa period Japan.He is associated with the sōsaku-hanga movement and the mingei (folk art) movement.
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