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God's only Son, adored. He holds the field victorious. Though hordes of devils fill the land All threat'ning to devour us, We tremble not, unmoved we stand; They cannot overpow'r us. Let this world's tyrant rage; In battle we'll engage. His might is doomed to fail; God's judgement must prevail! One little word subdues him. God's Word forever ...
The arm of flesh will fail you Ye dare not trust your own Put on the Gospel armour, Each piece put on with pray'r; Where duty calls or danger Be never wanting there! Stand up! Stand up for Jesus! The strife will not be long; This day the noise of battle, The next the victor's song. To him that overcometh A crown of life shall be; He with the ...
19 Now the works of the flesh are evident: sexual immorality, impurity, sensuality, 20 idolatry, sorcery, enmity, strife, jealousy, fits of anger, rivalries, dissensions, divisions, 21 envy, drunkenness, orgies, and things like these. I warn you, as I warned you before, that those who do such things will not inherit the kingdom of God.
And God said unto Noah, The end of all flesh is come before me; for the earth is filled with violence through them; and, behold, I will destroy them with the earth. ( Genesis 6:13) Samuel Butler , by contrast, used The Way of All Flesh as the title of a semi-autobiographical family saga , using the phrase to refer ambiguously to either the ...
"God, the Omnipotent!" also known as "God, the All-terrible!" is a hymn with words written in 1842 by Henry F. Chorley (1808–1872) and 3rd and 4th stanzas by John Ellerton (1826–1893) in 1870. [1] It is based on a text from Revelation 19:6, "The Lord God omnipotent reigneth" .
The expression 'full of grace and truth' is best connected with 'only son', rather than with 'glory', to reflect God's revelation to Moses as 'merciful and gracious' (Exodus 34:6), that is, 'full of loving initiative and of fidelity', so 'in the "Word made flesh" humanity can meet God's glory'. [2]
Jules Feiffer, the Pulitzer Prize-winning cartoonist and playwright who cast a cynical eye on the personal and political anxieties, hypocrisies and disappointments of upper-middle-class urbanites ...
George Herman notes that this expected role of the "three-person'd God" brings together the poem with the image of a bigger force needed for redemption: Herman proposes that "God the Father needs to break rather than knock at the heart, God the Holy Ghost to blow rather than breathe, and God the Son to burn rather than shine on the 'heart-town ...