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Mary Shelley's Frankenstein; or, The Modern Prometheus (1818) has come to define Gothic fiction in the Romantic period. Frontispiece to 1831 edition shown. Gothic fiction, sometimes called Gothic horror (primarily in the 20th century), is a loose literary aesthetic of fear and haunting.
The inability of many Gothic characters to overcome perversity by rational thought is quintessential American Gothic. [1] It is not uncommon for a protagonist to be sucked into the realm of madness because of his or her inclination towards the irrational.
The great Gothic wave, which stretches from 1764 with Horace Walpole's The Castle of Otranto to around 1818-1820, features ghosts, castles and terrifying characters; Satanism and the supernatural are favorite subjects; for instance, Ann Radcliffe presents sensitive, persecuted young girls who evolve in a frightening universe where secret doors open onto visions of horror, themes even more ...
Several templates and tools are available to assist in formatting, such as reFill (documentation) and Citation bot (documentation). ( August 2022 ) ( Learn how and when to remove this message ) Gothic fiction (sometimes referred to as Gothic horror or Gothic romanticism) is a genre of literature that combines elements of both horror fiction and ...
Gothicism or Gothism (Swedish: Göticism Swedish pronunciation: [ˈjøːtɪsˌɪsm]; Latin: Gothicismus) was an ethno-cultural ideology and cultural movement in Sweden, which took honor in being a Swede, for being purportedly related to the Goths.
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works.
Marlon Brando and Vivien Leigh in A Streetcar Named Desire (1951).. Southern Gothic is an artistic subgenre of fiction, music, film, theatre, and television that are heavily influenced by Gothic elements and the American South.
The Gothic double is a literary motif which refers to the divided personality of a character. Closely linked to the Doppelgänger, which first appeared in the 1796 novel Siebenkäs by Johann Paul Richter, the double figure emerged in Gothic literature in the late 18th century due to a resurgence of interest in mythology and folklore which explored notions of duality, such as the fetch in Irish ...