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By the early 1970s, Buffet was making the Evettes in their own factory in Paris, and around 1979, manufacture was moved to a Buffet-owned factory in Germany. Evette & Schaeffer clarinets were made in Paris. Use of the Evette and Evette & Schaeffer brands ended around 1985, when the company began using the Buffet name on all its clarinets.
He became known as Buffet-Auger after his marriage to Marie-Anne Auger. In 1825 he set up a workshop in Paris making instruments, a business that was to become the Buffet Crampon company, still in operation and one of the foremost manufacturers of woodwind instruments. Jean Louis Buffet was his son. Denis Buffet-Auger died on 24 Sep 1841 in Paris.
Historically, the Orsi Instrument Company, Rampone (later Rampone & Cazzani), Buffet (under the ownership of Evette & Schaeffer), Conn (E♭ contrabass only), Gautrot and Couesnon (Gautrot's successor) were the best known and possibly, only makers that produced in quantity.
Historically it was built in the late 19th and early 20th centuries principally by its inventor, Parisian instrument maker Pierre-Louis Gautrot and his successor, Couesnon & Co. , as well as Evette & Schaeffer (now Buffet Crampon) and Romeo Orsi of Milan.
Arrignon has worked as a clarinet tester and developer at Buffet Crampon since 1985. [1] He helped create the Tosca clarinet, released in 2003 by Buffet Crampon, [3] as well as Buffet's Festival clarinet designed in 1987. [4] He plays on Buffet Crampon Tosca Green-Line clarinets. [1]
The Boehm system for the clarinet is a system of clarinet keywork, developed between 1839 and 1843 by Hyacinthe Klosé and Auguste Buffet jeune.The name is somewhat deceptive; the system was inspired by Theobald Boehm's system for the flute, but necessarily differs from it, since the clarinet overblows at the twelfth rather than the flute's octave.
The contra-alto clarinet [2] is largely a development of the 2nd half of the 20th century, although there were some precursors in the 19th century: . In 1829, Johann Heinrich Gottlieb Streitwolf [], an instrument maker in Göttingen, introduced an instrument tuned in F in the shape and fingering of a basset horn, which could be called a contrabasset horn because it played an octave lower than it.
Some clarinet makers now produce basset clarinets, or extended lower joints which will convert a standard clarinet to a basset clarinet. Among makers of basset clarinets using the French (Boehm) system are Buffet Crampon, [10] [11] Stephen Fox, Backun Musical Services, and Selmer. [12]
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