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À rebours (French pronunciation: [a ʁ(ə).buʁ]; translated Against Nature or Against the Grain) is an 1884 novel by the French writer Joris-Karl Huysmans. The narrative centers on a single character: Jean des Esseintes, an eccentric, reclusive, ailing aesthete .
Naturalism was an outgrowth of literary realism, influenced by Charles Darwin's theory of evolution. [26] Whereas realism seeks only to describe subjects as they really are, naturalism also attempts to determine "scientifically" the underlying forces (e.g., the environment or heredity) influencing the actions of its subjects. [27]
Naturalism is a literary movement beginning in the late nineteenth century, similar to literary realism in its rejection of Romanticism, but distinct in its embrace of determinism, detachment, scientific objectivism, and social commentary. Literary naturalism emphasizes observation and the scientific method in the fictional portrayal of reality.
An English-language modernist group founded in 1914 that poetry based on description rather than theme, and on the motto, "the natural object is always the adequate symbol" [94] Ezra Pound, H.D., Richard Aldington: Dada: Touted by its proponents as anti-art, the Dada avant-garde focused on going against artistic norms and conventions [95]
[3] Ira Wells, University of Toronto Academic Programs director, in his work Fighting Words, [4] seeks a new understanding of what literary naturalism is and why it matters. He countered the accepted view of literary naturalism being concerned with environmental and philosophical determinism and focused on the polemical essence of the genre ...
The argument from reason is a transcendental argument against metaphysical naturalism and for the existence of God (or at least a supernatural being that is the source of human reason). The best-known defender of the argument is C. S. Lewis. Lewis first defended the argument at length in his 1947 book, Miracles: A Preliminary Study.
Bahnwärter Thiel was written by Hauptmann in 1887 while he was living in Erkner and still relatively unknown. [1] In his novella, Hauptmann made use of the "Sekundenstil" ("seconds-style"), [2] a literary device typical of the Naturalist movement, in which the durations of the description of an event and the described event are identical. [3]
Interest in the relationship between Darwinism and the study of literature began in the nineteenth century, for example, among Italian literary critics. [2] For example, Ugo Angelo Canello argued that literature was the history of the human psyche, and as such, played a part in the struggle for natural selection, while Francesco de Sanctis argued that Emile Zola "brought the concepts of ...