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The French horn (since the 1930s known simply as the horn in professional music circles) is a brass instrument made of tubing wrapped into a coil with a flared bell. The double horn in F/B ♭ (technically a variety of German horn) is the horn most often used by players in professional orchestras and bands, although the descant and triple horn have become increasingly popular.
The following is a list of musical scales and modes. Degrees are relative to the major scale. List of musical scales and modes Name ... (0,2,3,6,7,9,11,12,14,15,17)
Trio in B♭ major, Op. 274 for horn, clarinet and piano; Carl Gottlieb Reißiger. Solo per il Corno; Joseph Rheinberger. Sonate Es-major, Op. 178 for horn and piano; Nikolai Rimsky-Korsakov. Notturno for horn quartet; Gioacchino Rossini. Prelude, Theme and Variations for horn and piano; Camille Saint-Saëns. Romance in F major, Op. 36 for horn ...
Like many musical scales, it is made up of seven notes: the eighth duplicates the first at double its frequency so that it is called a higher octave of the same note (from Latin "octavus", the eighth). The simplest major scale to write is C major, the only major scale not requiring sharps or flats:
However, playing a 3rd space C (F-horn, open) and repeating the stopped horn, the pitch will lower a half-step to a B-natural (or 1/2 step above B ♭, the next lower partial). The hand horn technique developed in the classical period, with music pieces requiring the use of covering the bell to various degrees to lower the pitch accordingly.
12-tone equal temperament chromatic scale on C, one full octave ascending, notated only with sharps. Play ascending and descending ⓘ. 12 equal temperament (12-ET) [a] is the musical system that divides the octave into 12 parts, all of which are equally tempered (equally spaced) on a logarithmic scale, with a ratio equal to the 12th root of 2 (≈ 1.05946).
The horn is a standard member of the wind quintet and brass quintet, and often appears in other configurations. Notable works from the late-eighteenth and early nineteenth centuries include two quintets by Mozart, one in E ♭ major for horn, violin, two violas, and cello (KV407/386c) and the other for piano, oboe, clarinet, bassoon and horn ...
Scales are typically listed from low to high pitch. Most scales are octave-repeating, meaning their pattern of notes is the same in every octave (the Bohlen–Pierce scale is one exception). An octave-repeating scale can be represented as a circular arrangement of pitch classes, ordered by increasing (or decreasing) pitch class.